Jonathan O’Boyle’s production of The Last Five Years has to be a definitive production of this complex and unusual work.
It may be almost 20 years old, but Jason Robert Brown’s The Last Five Years feels timeless and recognisable and this bold restaging at Southwark Playhouse is a triumph.
Max Vernon’s musical The View UpStairs making its European debut at the Soho Theatre and running for just five weeks, commemorates the 1973 arson attack on a gay bar in New Orleans which was the most significant event of its kind until 2016’s Florida shootings.
At Hornchurch, artistic director Douglas Rintoul seems to have gone for the faithful-to-the-first-production approach: for example, Melanie Gutteridge’s Beverly is a neatly dutiful homage to Alison Steadman.
Comedy about Labour Party history is starry, but politically reactionary and tediously overblown.
In a powerfully devastating and unrelentingly humorous look at the dark and unspoken truths manifest in the psyches of men and women after decades spent together in a relationship, the double header of Steven Berkoff’s Lunch and The Bow of Ulysses at Trafalgar Studios is gripping theatre that will possibly provide less than comfortable cab rides home for some of the couples in the audience.