The Harry Potter team presents a hyped up state-of-the-family play in The End Of History and it just falls flat on its face.
What’s so great about Jack Thorne’s play The End of History (as well as his consistently interesting use of stage directions) is that it has made me pause to think but is all wrapped up in this absorbing family comedy.
Jack Thorne and director John Tiffany are the Harry Potter team. They know how not to bore. But they’ve been here before too in a Royal Court state-of-the-nation mood, and they can make pieces like The End of History just as gripping.
In The End of History Thorne shuffles various perspectives within the family, examining their different experiences of the same events from multiple angles, and while these differences drive wedges between them, ultimately and with hope for the future, he explores the ties that keep people together.
The National Theatre has announces 15 productions of new plays and fresh adaptations by leading writers. Olivier Theatre My Brilliant Friend 12 November 2019 to 18 January 2020 (Press day is 26 November). Plays in rep, with further performances to be announced Following a sell-out run at Rose Theatre Kingston, the two-part adaptation of Elena Ferrante’s My Brilliant Friend by April De Angelis is reworked …
David Morrissey and Lesley Sharp will play husband and wife in the world premiere of Jack Thorne’s new play the end of history…, directed by Royal Court Theatre associate director John Tiffany.
You enter dark places when you enter the Royal Court and sometimes that can be enthralling and exhilarating. But there needs to be some kind of uplift. Sadly this time, it wasn’t present.
An overwhelmingly powerful new play about motherhood and psychological collapse: Lesley Sharp amazes in The Woods at the Royal Court Theatre.
Love London Love Culture rounds up the reviews for Lucy Morrison’s production of The Woods now playing at the Royal Court Theatre.
Anton Chekhov’s classic play The Seagull is brought to modern life in a new version, adapted by Simon Stephens and directed by Sean Holmes. It’s running at London’s Lyric Hammersmith until 4 November 2017. Here’s what critics have been saying about it so far.
Simon Stephens’ version makes no bones about how an obsession for fame can lead to ruin, hell and damnation or all three. Adelayo Adedayo’s Nina is burning to be a ‘celebrity’, idolising Nicholas Gleaves’ driven novelist, Boris.
The Lyric Hammersmith has announced further casting for Simon Stephens’s new version of Anton Chekhov’s highly renowned play, The Seagull, directed by Artistic Director Sean Holmes.
The Lyric Hammersmith has announced its new season running May 2017 to January 2018, including three major new productions: a UK premiere, a new adaptation of a classic and the return of the now traditional Lyric pantomime.