You know how it is, when a ticket to Hamilton falls into your lap, you can’t really say no to this… So a return to the Victoria Palace Theatre, my first since this behemoth of a show actually opened up and one which was surprisingly rewarding, over and above the pleasures of the show itself.
Illuminating about both the craft of acting and the glorious show that is Hamilton, Giles Terera’s book Hamilton And Me takes the reader on a whirlwind journey through what was clearly an incredibly important period in the performer’s life.
As a modern movie musical, In the Heights employs many of its shot, direction and choreographic techniques to create a swirling visual experience that immerses the audience in the story.
There’s hardly a more insistent ear worm of a song in all of Andrew Lloyd Webber’s ear-wormy repertoire than ‘Memory’, the breakout hit of his 1981 musical Cats, which last night celebrated the 40th anniversary of its premiere at the then New London Theatre (now itself renamed for Gillian Lynne, the choreographer whose work on the show ignited a revolution in global musical theatre, and accidentally created the West End’s first authentic dance-based musical).
Jeffrey Seller and Cameron Mackintosh, producers of the West End production of Lin-Manuel Miranda’s Hamilton, are delighted to announce that from 19 August 2021 the show will resume performances at the Victoria Palace Theatre.
Deservedly drenched with international awards and accolades, megahit musical Hamilton arrives in Australia in pristine form, the terrific local cast members not throwing away their shots at future superstardom.
A constantly recurring theme as we hopefully start emerging from this pandemic — and even long before it actually happened — was about creating space for new voices and talents, and preferably younger and more diverse voices, whether as writers, directors, producers, designers, actors or even theatre critics.
It’s both surprising, and not, in the light of this that Phantom — a fictional character whose physicality is almost entirely shrouded by a cloak and whose face is 50% covered — has never been played by a black or Asian actor yet in its 35-year run in the West End.
Selladoor Worldwide has announced that Bring It On The Musical will play its delayed London season at the Southbank Centre’s Queen Elizabeth Hall from 8 December 2021 to 22 January 2022, following eight performances at the New Theatre, Peterborough from 30 November to 4 December 2021.
This capture of last summer’s West End Musical Drive In delivers much of the thrill of live performance, with Shan Ako and Layton Williams in particularly fine form.
Spectacularly unique and filled with passion, this filmed version of the hit Broadway musical Hamilton is exquisite to watch – no matter how many times you have seen it.
And so here it is… my top 10 musicals of the decade. It turned out to be a slightly emotional journey. But it turns out musicals meant a lot in that time and I’ll fight anyone who says musicals aren’t a serious artform.
Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!).
Fifty-four years is quite the wait for a sequel but the sweetness and charm with which Mary Poppins Returns lands on our screens makes it pretty much worth it.
The Hamilton track ‘The Room Where It Happens’ stands up well as a track to listen to on the cast recording, but something really special happens when you watch it being performed.
Ten new cast members will be joining the London company of Hamilton which is going into its second year at the Victoria Palace Theatre. The production is booking to 30 March 2019.
Mark Shenton rounds up the latest news, reviews, podcasts and more from London and Broadway, including Prince Harry at Hamilton and Lin-Manuel Miranda at Southwark Playhouse.
Mark Shenton rounds up news of singalong performances of Bat Out of Hell, reviews of Aristocrats, Bring It On and Little Shop of Horrors and an extract from an interview with Kathleen Turner.
If like me, you’re constantly in a state of missing In the Heights, then the British Theatre Academy’s production of Bring It On is just the energetic, humorous, heartfelt fix you need.
‘She’s a little bit Hairspray, he’s a little bit Glee …’ is not actually a lyric from Bring It On, a high school musical being given a sparky showcase by the British Theatre Academy at Southwark Playhouse, but it might as well be.