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NEWS: UK tour & West End run announced for Blithe Spirit starring Jennifer Saunders

In London theatre, Native, News, Plays, Press Releases, Regional theatre, Sticky, Touring by Press Releases

Noël Coward’s classic comedy Blithe Spirit, directed by Richard Eyre and starring Jennifer Saunders, will return next year for a UK tour followed by a strictly limited six-week engagement at the West End’s Duke of York’s Theatre following a celebrated reception at the Theatre Royal Bath earlier this summer.

Love’s Labours Lost / Much Ado About Nothing – Chichester & West End

In London theatre, Opinion, Plays, Regional theatre, Reviews, Touring by Matt MerrittLeave a Comment

A couple of years ago the Royal Shakespeare Company paired Love’s Labours Lost with Much Ado About Nothing (renamed Love’s Labours Won) in a gorgeous setting amidst the Great War to much acclaim. This year they’ve revived the productions, with many of the original cast and have brought it to Chichester Festival Theatre ahead of the West End.

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NEWS: Edward Bennett & Lisa Dillon lead RSC double bill at Haymarket

In London theatre, Native, News, Plays, Press Releases by Press ReleasesLeave a Comment

The Royal Shakespeare Company’s hugely acclaimed 2014 pairing of Love’s Labour’s Lost and Much Ado About Nothing (or Love’s Labour’s Won) arrives in London this Christmas, following runs at Chichester Festival Theatre and Manchester Opera House. From 9 December 2016 to 18 March 2017, Edward Bennett and Lisa Dillon will delight audiences at the Theatre Royal Haymarket in Christopher Luscombe’s elegant, effervescent productions.

HAPGOOD – Hampstead Theatre

In London theatre, Plays, Reviews by Aleks SierzLeave a Comment

Because of the instability of the present there’s always a faint whiff of nostalgia for the old certainties of the past. And the Cold War era has its very own allure. This can be seen in two current successes: that of the revival of Tom Stoppard’s 1988 play, Hapgood, and of a new play by American playwright Mia Chung, You for Me for You, which takes a look behind the bamboo curtain at North Korea. When it was first staged, Stoppard’s play was widely seen as incomprehensible, with a labyrinthine plot which puzzled not only the characters of the story itself, but audiences as well. And Cold War certainties are surely not so comforting if they are, well, uncertain.