As always, Chickenshed’s Christmas show Snow White is a festive treat that’s guaranteed to warm your heart and send you home feeling a little bit better about the world. Who can say no to that?
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 2 December 2019), ranging from The Blog Of Theatre Things’ Liz Dyer feeling festive thanks to a joyful production of White Christmas at the Dominion Theatre.
Before long the stage is overflowing with so much joy, romance and goodwill to all that ultimately, much like the snow song, this White Christmas proves impossible to resist.
Kathryn O’Reilly’s second play Poisoned Polluted focuses on the fragmenting relationship between two women – in this case, sisters.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 27 October 2019). Maryam Philpott is gripped by the work of Claire Foy and Matt Smith in Lungs at The Old Vic…
While this reimagining of Gaslight doesn’t necessarily deliver on all its promises, the production does successfully highlight the continuing relevance of both the story and its core issue.
Based on a true story, Kate Barton’s play Fast invites its audience into the disturbing world of “Dr” Linda Hazzard (Caroline Lawrie), whose controversial fasting diet method claimed the lives of multiple patients in the early 20th century.
As with any dystopian drama, the central idea of Florence Bell’s The Open – the GBGC itself – sounds far-fetched, but the foundations on which it’s built aren’t all that implausible.
Arrows & Traps’ The Strange Case Of Jekyll & Hyde is one for a new generation: an endlessly thought-provoking, unsettling, enthralling production that’s not to be missed.
Just as much as the emotional impact, though, it’s the unique and original approach to the subject matter that makes this debut production from Turn Point Theatre particularly memorable.
Touching on themes of religion, sexuality and more than one form of mental illness, the play asks some difficult questions and frequently makes for unsettling viewing, and yet Ned Bennett’s production remains utterly compelling from start to dramatic finish.
While most of us would probably be willing to admit that Taming of the Shrew is far from Shakespeare’s best, Canadian actor, writer and comedian Gillian English has gone a step further and made a list of everything that’s wrong with it.
Writer and director Ben SantaMaria experienced for himself growing up as a gay man in 80s Britain. He wrote the autobiographical show Really Want to Hurt Me as a way to explore what has – and more importantly, hasn’t – changed since his own teenage years.
It’s all in a name this week as our editor Lisa Martland picks out her Top Picks from the last week’s theatre in the West End, London Fringe or beyond.
With immigrants across the USA bracing for planned Ice raids this weekend, Lunatic 19’s, a topical new play by Iowa-based writer Tegan McLeod, shines a spotlight on the soullessness and absurdity of American immigration laws and procedures.
One Giant Leap is a very silly story with no other mission in mind but providing two hours of pure entertainment.
Dark Sublime is a rare personal drama about an older gay woman trying to find her place and identity in a changing world, with plenty of laughs – particularly aimed at the world of showbiz – and some interesting questions about the nature of fandom.
In touching on topical issues like knife and gun crime, drugs, discrimination, misogyny and the disaffection of young people in the UK today, Othello: Remixed demonstrates how Shakespeare’s work speaks for, and should therefore be available to, everyone.
There’s nothing historic about the issues Bare: A Pop Opera tackles, as is emotionally demonstrated in the powerful finale of this new London production at The Vaults.
James Martin Charlton is an award-winning playwright whose previous work includes the critically acclaimed Fat Souls, I Really Must Be Getting Off and Coward. This week sees the premiere of his new play, Reformation.