Festivals are a vital part of the theatre ecosystem, a place to try out new material, explore form and style while giving a valuable platform to all kinds of performance. These activities have been among the hardest hit during the period of closur…
There was devastating news for West End theatres today when Health and Social Care Secretary Matt Hancock told the House of Commons that London – plus parts of Essex and Hertfordshire – would move into Tier 3 from 16 December 2020.
When it was first performed in 2012 James Graham’s This House was an affectionate satire, using its 1970s setting to examine the still young Conservative-Liberal Democrat coalition government formed in 2010.
This is the theatre at its very best and on screen, both productions are gripping, using the camera work to richly convey the abstract shapes and grand vision of its boldly beautiful staging, while allowing the connection between the lead actors to shine.
“Close your eyes and let the music set you free” – The Phantom of the Opera Last week I was reminded of my first theatre memory. I was eight and my parents took me to see The Phantom of the Opera for a Saturday matinee. I don’t remember the performance itself, but what I do recall is sitting in the dress …
Following on from the instant success of National Theatre At Home streaming event, it’s got me thinking about all the other wonderful NT Live screenings that I’d love to come to the small screen as part of this series. I have narrowed it down to my top 10.
The first show in the National Theatre at Home programme was the 2011 smash-hit One Man, Two Guvnors, one of the great success stories of the Nicholas Hytner era, a cheeky farce written by Richard Bean and starring National Theatre favourites James Corden and Oliver Chris.
As the Brexit debate continues to rage on, Harry Darell’s timely new play For The Sake of Argument considers the ways in which language can be used for both better and worse,
I very nearly did see this one, but it opened and closed so swiftly that I didn’t really have the chance – I wasn’t living in London at that point, so a bit more planning was required for my theatre trips.
The embodiment of glamour from start to finish, White Christmas whisks you away and takes you to a wintery wonderland where lullabies and tap dances reign supreme.
Melly Still’s reworking of April De Angelis’ adaptation of My Brilliant Friend gives the show both a flowing and episodic quality as the interior monologue of the protagonist in the books is replaced by fully dramatised scenes.
An isolated woman, a pest controller and a talking cat… but which is which? We think we’ve got one character sussed! Take a look at these candid images from the rehearsal room of new darkly comic tale Mites for a hint of what to expect from James Mannion’s latest play, then book your tickets!
Wild eyes, grasping hands, looks of abject fear – they’re all there in the production images for Trial of Love , the new supernatural comedy currently running at the Bread & Roses Theatre. Take a look, if you dare, then book your tickets!
Finding humour in darkness and exploring the meeting of Eastern and Western influences – watch the young cast of HiddenViewz new production Trial of Love discussing the new play. Time to get booking!
With an influx of Broadway transfers and film/book to movie adaptations dominating the London theatre scene, it’s always wonderful to see new British theatre developing. The Feeling by Kyra Jessica Willis is a good example of this, as it brings social troubles to light in a headstrong way that feels authentically British.
Otherworldly entities interfere with the life of a successful Chinese businessman in Trial of Love, the new production from company HiddenViewz, which comes to the Bread & Roses Theatre next week. Book your tickets now!
Bleakly comic, psychological thriller Mites, which tells the story of a vulnerable woman, a pest controller and a talkative feline, will receive its world premiere at London’s Tristan Bates Theatre this autumn. Time to book your tickets!
The Werewolf of Washington Heights is a play by Christie Perfetti Williams that was first staged in the US in 2017.
Mary Jane Figtree’s play is based on the concept of an Italian 90s play called Orgasmo e Pregiudizio. With this, her first play, she has written something that succeeds in being both funny yet emotionally resonant.
The Geminus is an atmospheric new play by Ross Dinwiddy and is based on Joseph Conrad’s novella The Secret Sharer. By incorporating a romantic twist, Dinwiddy creates an emotional centre to the piece, which is so important when translating prose to the stage.