This production of Macbeth receives stunning direction from Christopher Haydon and, crucially, Lucy Ellinson is magnificent as Macbeth.
Top Girls is a curious play, a mixture of moments that had me mentally punching the air, feeling angry and a little frustrated.
Caryl Churchill’s superb Top Girls receives a luxurious but clear-sighted production from Lyndsey Turner at the National Theatre.
Enjoyably high-definition revival of Caryl Churchill’s 1982 feminist classic Top Girls gets the National’s big-stage treatment.
The best that can be said about Chris Goode’s Jubilee is that it must surely be in the running for the hotly contested accolade of the worst show of the whole decade.
Nostalgic, trying too hard to shock and no longer a force to be reckoned with, Jubliee is, nevertheless, a period piece with a difference which will find fans hoping to relive their youth or see what all the fuss was about.
There’s something special in the timelessness of some pieces of theatre, their themes and arguments as relevant to audiences today as they were when they were written years, decades, even centuries ago. Brecht’s The Resistible Rise of Arturo Ui falls into the middle category, written in 1941 as an allegorical response to his nation’s fall to Nazism, and was magisterially revived at Chichester a few years back.
A micro-review from There Ought to be Clowns.
Bruce and Trevor Horn are delighted to announce that together they are creating a new work of musical theatre – provisionally entitled The Robot Sings with an original story and score by the duo.
The Gate Theatre has added an extra week to its critically acclaimed, smash-hit production of George Brant’s Grounded, which has now returned following two previous sell-out runs.
Keeping on top of reviews is a challenge at the best of times, so throwing in a whole bunch of festival shows from the Vaults makes time management even more challenging. So I’m opting to round up shorter reviews of what I’ve seen in the week into a single post.
With a fascinating take on 1940s meeting a surreal and magical world, Erica Whyman has directed a beautiful, melodic and hilarious piece of theatre. This has been by far my favourite production of Shakespeare’s tale of four lovers who’s lives are meddled with due to the mischief and desires of the fairy world.