Lucy Roslyn’s Pennyroyal takes Edith Wharton’s 1922 novella The Old Maid as its initial inspiration but feels immensely immediate and relevant. It centres on a very specific theme – Premature Ovarian Insufficiency, not a Wharton issue, to be clear – but in it’s unflinching, open-hearted depiction of the stresses and dynamics of family relationships it nudges towards the universal. There’s a lot to unpack and connect with here, and it is exquisitely observed.
Myra Collins recognises a national yearning for hope and what people are willing to pay for assurance… Written and performed by Lucy Roslyn, Showmanship is an intimate portrayal of one woman surviving in such a world.
As subject matter goes, you don’t get a lot darker than death row (especially when the story’s set in Texas). In Epsilon Productions’ The State vs John Hayes, a woman convicted of murdering her husband and lover sits alone in her cell, the night before the trip to court that will decide her ultimate fate. But is she really alone? Can we believe a word she says? Elyese Dukie’s story is anything but straightforward, and over the next hour she takes the opportunity to share that story with the audience, in an intimate soliloquy that’s both captivating and deeply unsettling.