London has an abundance of pub theatres, and the Old Red Lion in Islington is one of my favourites. The space is tiny with pew-like seating on two sides of the tea-tray sized stage.
FEATURED SHOW: Hear Me Howl at the Old Red Lion, ★★★★★ reviews are in!
Yes, indeed, get that drum rolling! HEAR ME HOWL officially premieres tonight (19 September 2018) at London’s Old Red Lion Theatre. Alice Pitt-Carter stars in this one-woman play about a woman who becomes a drummer in a punk band. Check our first-look production gallery – and then get booking (and howling)!
‘Beautifully performed with energy & unflinching conviction’: HEAR ME HOWL – Old Red Lion Theatre
There’s plenty of humour in the one-woman show Hear Me Howl which is beautifully performed at the Old Red Lion Theatre with energy and unflinching conviction by Alice Pitt-Carter.
‘There is an awareness in Rynne’s writing’: HEAR ME HOWL – Old Red Lion Theatre ★★★★
Written by Lydia Rynne and directed by Kay Michael, Hear Me Howl looks at Jess (Alice Pitt-Carter) a young professional whose life mirrors many women in Britain.
‘It demands that you listen’: Hear Me Howl – Old Red Lion Theatre
One woman, her drums and a whole lotta rage against the patriarchy, Hear Me Howl is a defiant roar at the Old Red Lion Theatre.
‘Bubbles with witty lines & observation’: Hear Me Howl – Old Red Lion Theatre ★★★★★
Written by Lydia Rynne, Hear Me Howl is peppered with references to culture contemporary to the 30-somethings and bubbles with witty lines and observation while handling issues such as pregnancy and abortion with sensitivity and insight.
FIRST-LOOK PHOTOS: Drumroll please! Alice Pitt-Carter stars in Hear Me Howl premiere
Yes, indeed, get that drum rolling! HEAR ME HOWL officially premieres tonight (19 September 2018) at London’s Old Red Lion Theatre. Alice Pitt-Carter stars in this one-woman play about a woman who becomes a drummer in a punk band. Check our first-look production gallery – and then get booking (and howling)!
What does punk mean to you? ‘Self-expression over convention’: Introducing Hear Me Howl’s all-female team
What does punk mean to you? What’s your favourite song ever and why? What makes you howl with rage? It’s time for the all-female team behind one-woman punk play HEAR ME HOWL, starting performances one week from today at London’s Old Red Lion Theatre, to answer these three vital questions. See what they said below – and then get booking (and howling)!
WATCH: The punk producers of Hear Me Howl wanna hear YOU howl! Trailer + competition
What makes you howl with rage? And how loudly can you do it? We’re counting down to the premiere of Lydia Rynne’s one-woman play HEAR ME HOWL, in which 30-year-old Jess joins a punk band. Check out the trailer and vox pops, plus a fabulous social media competition that could get you FREE tickets. Time to get booking – or howling and winning!
PHOTOS: Alice Pitt-Carter unleashes her inner punk ahead of Hear Me Howl premiere
Alice Pitt-Carter stars as thirty-year-old Jess, who chooses punk over having children, in Lydia Rynne’s one-woman play HEAR ME HOWL. Check out these fab photos of Alice as she unleashes her inner punk on the playground in the run-up to the premiere production’s transfer this month to London’s Old Red Lion Theatre. Time to get booking!
NEWS: Lydia Rynne’s one-woman punk play Hear Me Howl premieres at Old Red Lion
After performances at the Landor Space, Barbican and Plymouth Fringe, Lydia Rynne’s debut play, one-woman punk revolution HEAR ME HOWL, now transfers to London’s Old Red Lion Theatre for a limited, two week season from 18 to 29 September 2018, with a press night on 19 September.
‘Evokes laughter & heartbreak through dark comedy’: THE BUZZ – Bread & Roses Theatre
The Buzz evokes laughter and heartbreak through dark comedy about how fame and success can cloud people’s judgement, and the lengths they go to in order to get what they want.
‘Right balance between black humour & allowing the characters to breathe’: THE BUZZ, Bread & Roses Theatre ★★★★★
What begins as a satire-cum-family drama in The Buzz veers into Death and the Maiden territory with the past being brought into account.
How much would you sacrifice in return for the adoration of the masses? Interview with The Buzz’s Lydia Rynne
“The Buzz is a play that, on the surface, seems very contemporary in its concerns but in fact deals with the timeless conflicts of misuse of power, female oppression, the superficiality of success and the moral and spiritual price we pay for it.”