We round up the reviews for the Lyric Hammersmith Theatre and Chichester Festival Theatre co-production of Martin McDonagh‘s The Beauty Queen of Leenane.
The Lyric Hammersmith Theatre has announced its 2022 Season, including work by Mike Bartlett, Roy Williams, Patrick Marber and Timberlake Wertenbaker.
Four new productions to follow South Pacific in Chichester’s Festival 2021 have today been announced by artistic director Daniel Evans and executive director Kathy Bourne. Two world premieres: The Long Song, a new adaptation by Suhayla El-Bushra based on Andrea Levy’s novel, directed by Charlotte Gwinner The Flock, by Zoe Cooper, directed by Guy Jones Revivals of two great modern …
The Lyric Theatre Hammersmith has announced the world premiere of Out West featuring works by three of the UK’s leading playwrights, Tanika Gupta (A Doll’s House), Simon Stephens (The Curious Incident of the Dog in the Night-Time) and Roy Williams (Death Of England: Delroy), to reopen the venue in June 2021.
The Theatres Trust has awarded a further £155,265 of grants to help theatres with costs of Covid-secure reopening, including changes to the building to reduce congestion, improvements to ventilation systems and simple measures like installing hand sanitisers and screens.
We round up the reviews for Mike Bartlett’s play Love Love Love, running at the Lyric Hammersmith until 4 April 2020.
Love London Love Culture rounds up the reviews for Chris Bush’s gender swapped Faustus: That Damned Woman.
There is fine work from Jodie McNee as Johanna Faustus in Faustus: That Damned Woman but the piece is overshadowed by a disappointing structure that sidelines real, factual female achievement in praise of the patriarchy.
In opening-up the female experience of the era in Faustus: That Damned Woman, Chris Bush reinforces the decision to switch the gender of the central character.
Rachel O’Riordan’s debut season as artistic director at Lyric Hammersmith continues this month with Faustus: That Damned Woman, a co-production between the Lyric and Headlong, in association with Birmingham Repertory Theatre.
We round up the reviews for the Lyric Hammersmith’s 2019 pantomime Cinderella.
Best of the Blogs: The Mates give their verdicts on Big, A Dolls’s House, Shida & The Eyes Of The Night.
Tanika Gupta’s superb reimagining of Henrik Ibsen’s modern classic A Doll’s House is both entertaining and deep.
Dealing with troubling questions about human interaction, the Lyceum’s adaptation of Solaris is – like all the best science fiction – not really about alien planets but about our own world.
Michael Frayn’s meta-comic masterpiece Noises Off easily stands the test of time; even when things go wrong!
Thirty-seven years later, I’m back to see Noises Off re-staged with Meera Syal, Lloyd Owen and Daniel Rigby in a rather over-engineered production by Jeremy Herrin.
Jeremy Herrin directs this revival of Michael Frayn’s comedy Noises Off at the Lyric Hammersmith. Here’s what the critics have been saying about it…
It felt like a pilgrimage, homage to pay. Thirty-seven years ago Michael Frayn’s greatest of comedies, Noises Off, a wicked love-song to the great age of touring rep, premiered in this very theatre.
The ‘technical difficulties’ that unexpectedly halted the opening night of Noises Off at the Lyric Hammersmith brought the house down. They couldn’t have been funnier than if they’d been planned.
The inimitable Kneehigh retools The Beggar’s Opera in Dead Dog in a Suitcase (and other love songs).