Smash hit musical Six by Toby Marlow and Lucy Moss will become the first West End musical to resume performances in a West End theatre when the show temporarily moves from its home at the Arts Theatre to the Lyric on Shaftesbury Avenue for a limited 11-week run, running from 14 November 2020 to 31 January 2021.
Following the closure of all West End theatres due to the Coronavirus outbreak, producers today announced that Thriller Live performed its last Moonwalk at the Lyric theatre on 15 March 2020 – the 4657th West End performance.
Get Up, Stand Up! The Bob Marley Story, a new musical featuring Bob Marley’s iconic hits played live on stage, will begin previews at the newly refurbished Lyric Theatre on 6 February 2021 starring Arinzé Kene.
For the run up to Christmas, Peter Andre takes over the leading performance in Gary Lloyd’s Thriller Live.
Oi Frog & Friends! is an entertaining, musical romp through many of the well-known rhymes from the original books with a witty script and songs which are upbeat, catchy and full of clever lyrics.
in Thriller Live we are lucky enough to have, in the West End, a show that celebrates Michael Jackson’s work through amazing vocals, slick choreography, the best dance crew of the West End, and, of course, his eternal music.
Confession time. I went into this lively and entertaining show with very little knowledge of Neil Diamond’s music – but thanks to A Beautiful Noise I have certainly a new found appreciation for his music – not only as a charismatic singer but also his talent as a songwriter.
This summer will mark the 10th anniversary of Michael Jackson’s death. Has it really been that long? On a more positive note, this month marks the 10th anniversary of the Thriller Live musical in the West End.
Celebrating 10 years at the Lyric Theatre, a memorable production of Thriller Live played to a full house. Adrian Grant’s vision, breathed into life by Gary Lloyd’s direction and choreography, together with John Maher’s intuitive understanding of Michael Jackson’s rock, pop and soul classics has created a fusion of excellence.
As a perfect alternative to pantomime, this inventive, colourful, entertaining and story-based production of Alice: The Musical will engage the entire family with its well-known and well-loved characters and dream-like adventures.
Sometimes you know that a particular show or indeed performance will not only be special, but also remain with you for a long time to come. The Thriller Live 4,000th Charity Gala Performance in the aid of The Prince’s Trust was one of those performances.
What makes the evening even better is the story behind the songs – the anecdotes and details about Simon and Garfunkel’s careers as a duo and as solo artists.
A chance to turn the clock back and hear Simon and Garfunkel at their very best pops up now an then at the Lyric Theatre. And for fans of the duo, which produced some of the most influential sounds of the 1960s, it’s a must-see show.
If I were you I’d check out The Simon & Garfunkel Story for future dates. All the hits are there along with some lesser known ones and Philip Murray Warson and Charles Blyth are sensational as Simon and Garfunkel.
Rebecca Newman spoke to Love London Love Culture’s Emma Clarendon about bringing the beloved We’re Going on a Bear Hunt to the West End over the summer…
Wickedly witty, The Book of Mormon pokes fun at the seemingly un-pokeable and ultimately manages to leave the audience with the cheerfully uncomfortable warm fuzzies. It’s also fantastic to see homegrown Australian talent holding their own (and killing it) alongside the Broadway greats.
The night started with two twenty-something girls who had no clue who Carole King was (don’t judge us!) and ended up with two brand new super fans, striding out of the theatre arm in arm, belting ‘You’ve Got a Friend’ and wistfully longing we could transport back to 1960s Brooklyn.
Back in London following a UK and international tour, The Simon & Garfunkel Story is wonderfully nostalgic, sure to delight fans of the folk rock duo.
If there’s a theme to the events of the past year – particularly the incidents in Westminster, Manchester, London Bridge, Grenfell Tower and Finsbury Park Mosque, but also the potential results of the Brexit referendum and Donald Trump’s ascendancy – “terror” may well be it.
What an extraordinary privilege. I am sitting in the rehearsal room when two leading actors meet their orchestra for the very first time to prepare for the world premiere of a piece which has a sense of Edith Sitwell/William Walton’s Façade.
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