The chaotic Sh!tFaced Shakespeare makes a tipsy Macbeth intermittently entertaining at the Leicester Square Theatre.
The Macbeths, the Citizens’ concentrated revision of Macbeth, supplies a charge that is so often missing in versions of the play.
I may be woefully behind on my show write-ups, but I couldn’t not mark The Show Must Go Online coming to an end – at least until further notice.
Not quite ‘when shall we three Zoom again’, Big Telly Theatre’s imaginative online version of Macbeth has some impressive moments.
With some scenes of conflict filmed in a style which evokes the “found-footage” style seen in The Blair Witch Project and others, this Big Telly Theatre Company’s Macbeth – for which audience members are instructed to draw the curtains and dim the lights – offers psychological chills from the start.
Later this month the Big Telly Theatre Company’s atmospheric digital production of Macbeth will open at the 58th edition of the Belfast International Arts Festival (BIAF), Ireland’s leading contemporary international arts festival. I caught up with the theatre company’s founder Zoe Seaton to find out more.
Macbeth is one of Shakespeare’s most frequently performed plays, and it is a story filled with death, danger and prophesy.
Lazarus Theatre Company’s production of Macbeth effectively mixes the old and the new, adding to this sense that Macbeth is a cautionary tale for every era.
In our continuing series, editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 1 March 2020), ranging from Love London Love Culture’s thoughts on David Mitchell’s West End debut in the stage adaptation of TV favourite Upstart Crow at the Gielgud Theatre.
Lazarus Theatre’s ensemble-based take on Macbeth at Greenwich Theatre proves thrilling in its stylish directorial vision.
A bold production of the Scottish Play from Lazarus Theatre with a heavy focus on power and ambition – a great introduction to Macbeth and Shakespeare.
Shakespeare’s Globe’s summer season 2020 will include Shakespeare’s Romeo & Juliet, Much Ado About Nothing, Twelfth Night and Antony & Cleopatra.
With a new year fast approaching, it is an interesting time to reflect on small changes across the theatre landscape in 2019 that will continue to shape how UK theatre will look as it moves into a new decade.
As part of her ongoing post-show Q&A series, Mates co-founder Terri Paddock gets bloody with Lazarus Theatre company care of Shakespeare’s Macbeth at Greenwich Theatre. Got any questions?
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 6 October 2019), ranging from Libby Purves’ childhood reminiscences associated with Master Harold and the Boys at the National to Abba-fest Mamma Mia! The Party and reviews of new plays The Open, Two Ladies, The Watsons and more. Enjoy.
It has been a long time since the West End saw a truly great Macbeth so perhaps this is a chance for Simm and Kirwan to buck the trend with impressive performances that offer a different perspective on their characters while creating a potency in their exchanges that is never less than compelling.
Award-winning ensemble company Lazarus Theatre has announced their third annual residency at Greenwich Theatre with a 2020 line-up of three re-imagined classics – Macbeth, Hedda Gabler and Peter Pan – all with post-show Q&As chaired by MyTheatreMates co-founder Terri Paddock.
See this production of Macbeth for those masterful central performances, they’re more than worth the price of admission, even if so much of the rest is “full of sound and fury, signifying nothing!”
This production of Macbeth receives stunning direction from Christopher Haydon and, crucially, Lucy Ellinson is magnificent as Macbeth.
Chichester Festival Theatre’s production of Shakespeare’s famous tragedy Macbeth, led by John Simm and Dervla Kirwan as the corrupted couple, marks a homecoming for director Paul Miller.