Jemima Rooper, Kate O’Flynn, Zainab Hasan and Joanna Horton carry a lion’s share delivering the vitriol, pain and helplessness of struggling women in [Blank].
Alice Birch’s [Blank], about how our criminal justice system treats women, features tremendous ensemble work, physically expressive, verbally articulate, ripping off layers of smug delusion with elegant skill.
The Royal Shakespeare Company has announced its schedule for summer 2020, a season of Shakespeare plays exploring separation, loss and deep bonds of family.
Michael Longhurst has announced his first season as artistic director of London’s Donmar Warehouse, which will include one full-length world premiere, two UK premieres and two major revivals, the first helmed by Longhurst himself.
Meanness and greenness have often gone hand in hand at Regent’s Park – £3.50 for a tiny ice cream cone, really? – but never more so than in Maria Aberg’s confident production of Little Shop of Horrors at the Open Air Theatre.
Maria Aberg directs this lively and over-the-top production that fully embraces the madness and quirkiness of the musical.
Regent’s Park Open Air Theatre have today announced casting for Little Shop of Horrors. Directed by Maria Aberg, the production plays 3 August to 15 September 2018, with a press night on 10 August.
The Open Air Theatre has announced the programme for its 2018 summer season, under the continuing artistic directorship of Timothy Sheader. The headline productions are Peter Pan, As You Like It, Dinosaur World Live, Little Shop of Horrors, and The Turn of the Screw, a co-production with English National Opera.
Two actors share the roles of scholar and tempter in a pacy production that brilliantly conveys joy in transgression.
It’s a rare feeling to sit in the audience for a play and feel you truly don’t know what to expect – in the age of social media, it’s impossible not to have a good idea what to expect, but when two men walk onto the stage at the beginning of Faustus, stare each other in the eye and light a match cast, crew and audience will all find out together who will take the titular role.
The Lyric Hammersmith’s spring season opens with the new musical version of Fantastic Mr Fox, marking the Roald Dahl centenary. This is followed by premieres for Matthew Whittet’s Australian play Seventeen and Duncan Macmillan’s adaptation of Paul Auster’s City of Glass.
Much of what makes The RSC great is embodied in Maria Aberg’s Doctor Faustus, now playing in Stratford’s Swan Theatre. A classic Elizabethan text that is given an invigorating and challenging interpretation and presented in a display of top-notch stagecraft. For students of modern theatre, Aberg’s show should be compulsory viewing.