Gripping performances from Clive Owen and Lia Williams, and James Macdonald’s slow-burn direction allows Tennessee Williams’ writing in The Night Of The Iguana to cast its spell.
The staging and orchestration of the Palladium’s new version of Joseph & The Amazing Technicolor Dreamcoat looks to the future, as a whole new set of children fall in love with this perennial musical.
Carrying on a new series, our editor Lisa Martland has picked out her Top Picks including three musicals: The Secret Diary of Adrian Mole Aged 13¾ The Musical at the Ambassadors Theatre (Libby Purves), Fiver at Southwark Playhouse (Emma Clarendon) and The Color Purple at Curve Leicester (No Billington).
In The End of History Thorne shuffles various perspectives within the family, examining their different experiences of the same events from multiple angles, and while these differences drive wedges between them, ultimately and with hope for the future, he explores the ties that keep people together.
The Old Vic’s production of Present Laughter finally feels as though we’re shaking off some of the restraints that have shackled Noel Coward to the past.
Bitter Wheat is not only frustratingly irresponsible in its treatment of the events that led to the #MeToo movement, it is also a poorly constructed drama.
It is the slight rearrangement of the text and its implication for the female characters that is Nicholas Hytner’s most notable achievement here in A Midsummer Night’s Dream at the Bridge Theatre.
Carrying on a new series, our editor Lisa Martland picks out seven of her Top Picks from the last week of theatre (2-9 June 2019). Amidst her top choices are Maryam Philpott’s journey back to a time of political optimism in The Wardrobe Ensemble’s Education, Education, Education at Trafalgar Studios.
However light its frame, ultimately Education, Education, Education has serious points to make about the short-termist approaches to education funding used cynically as a political tool to win voters.
Directors Marianne Elliott and Miranda Cromwell have brought their unique vision to one of the greatest plays of the 20th century by Arthur Miller, seen through the eyes of an African American family. So what did the Mates think of this Young Vic production of the American drama classic?