A beautiful reinterpretation of the Shakespearean classic, Matthew Bourne’s Romeo & Juliet at The Lowry modernises the tale of doomed love for a new audience.
Adam Cooper and Ashley Shaw will star in the return of Matthew Bourne’s double Olivier award-winning production of The Red Shoes for New Adventures.
I was a little late to the party in respect of Vladimir Jurowski’s scintillating new recording of the original 1877 version of Tchaikovsky’s Swan Lake with the State Academic Symphony Orchestra of Russia (Yevgeny Svetlanov’s orchestra) but I’ve been much absorbed by it, thrilled by it.
As part of a new series, our editor Lisa Martland picks out seven of her Top Picks from the last week of theatre (20-27 May 2019). Amidst her choices is the return of The Lehman Trilogy, impressing Jonathan Baz with its ‘sheer technical theatrical genius”, while Aleks Sierz asks whether wearing headphones during a performance of Anna at the National Theatre is all a gimmick or vital to the impact of the play.
Matthew Bourne’s Romeo and Juliet is a wakeup call to the conscious and unconscious abuse of children and adolescents – psychological, sexual, physical – that plagues our society.
Anything which makes me think about these plays in a new way is a bonus. I also want actors – irrespective of their sex – to have maximum opportunities.
Thrilling and dynamic, Matthew Bourne’s production of Swan Lake stays with you long after the curtain has come down.
Swan Lake is a sumptuous production full of glorious moments which you’d be hard pressed not to revel in. A powerful, intricately choreographed and danced show, this is a must see for ballet regulars and newbies alike.
Come From Away, Company and The Inheritance led the way with four awards each at the Olivier Awards 2019 with Mastercard, announced at a ceremony tonight (Sunday 7 April) at London’s Royal Albert Hall, hosted by Jason Manford.
Petula Clark and Joseph Millson play the Bird Woman and George Banks in the new production of Mary Poppins which returns to its original West End home at the Prince Edward Theatre from 23 October 2019 to 29 March 2020.
Matthew Bourne has been announced as the recipient of this year’s Special Award at the Olivier Awards 2019 with Mastercard, in recognition of his extraordinary achievements in dance.
The most famous aspect of Matthew Bourne’s production of Swan Lake is the replacement of lithe ballerinas with muscular male dancers but this is a much reimagined story and as with all of New Adventures’ productions the mix of recognisable settings, dark imagery and moments of high comedy makes for a thoroughly entertaining evening.
Disney and Cameron Mackintosh’s new production of Mary Poppins, the musical based on the stories of P. L. Travers and the original film, returns to its original West End home at the Prince Edward Theatre after 15 years, beginning previews on 23 October 2019 with opening night on 13 November.
Iconic modern dance favourite Matthew Bourne’s Swan Lake makes a welcome return in a freshly re-polished staging. Seeing at least one production by New Adventures each year has made it clear that their quality control is of the very highest order.
Matthew Bourne’s classic production of Swan Lake returns to Sadler’s Wells – find out if it still lives up to expectations with LLLC’s review round-up…
As one of dance’s most iconic productions, Matthew Bourne’s Swan Lake returns home to a rapturous reception.
It’s 23 years since Mathew Bourne changed the gender of the swans in Swan Lake for his choreography of the ballet but it still stands the test of time.
Bourne’s Swan Lake is timeless, this production as fresh as ever, while a company that embodies a tireless amount verve, ingenuity, precision and emotion ensure this is a revival to be universally celebrated.
The internationally award-winning production of Mary Poppins will return to its original West End home at the Prince Edward Theatre where, after three hit years in London, Disney’s Aladdin will end its run late August 2019.
Director and choreographer Gillian Lynne, who will always be remembered for her groundbreaking work for musicals Cats and The Phantom of the Opera, has died at the age of 92. Theatres across London’s West End will be dimming their lights at 7pm on Monday 2 July as a tribute by the theatre industry and audience members to the legendary choreographer. The tradition …