Pitlochry Festival Theatre and the Royal Lyceum Theatre Edinburgh in association with Naked Productions have announced the casts for its three forthcoming Sound Stage plays.
Sarah Frankcom steps up to direct Arthur Miller’s masterpiece Death of a Salesman and the result is scorchingly brilliant production which shoots straight into the heart of a modern-day audience.
Shakespeare’s slight and silly comedy As You Like at the Regent’s Park Open Air Theatre is just the thing for midsummer.
Olivia Vinall and Edward Hogg take the roles of Rosalind and Orlando in Regent’s Park Open Air Theatre’s As You Like It, with Keziah Joseph and Beruce Khan in the roles of Celia and Oliver.
On the eve of the centenary of Muriel Spark’s birth, the Usher Hall was packed for Muriel Spark: Creme de la Creme, an evening of readings, reminiscences and a performed reading of the Edinburgh-born author’s only play.
It feels important to recognise what the NT (and the Old Vic) were trying to achieve, though. Queer Theatre looked “at how theatre has charted the LGBT+ experience through a series of rehearsed readings, exhibitions, talks and screenings” and if only one looked at lesbian women, two of the readings were written by women.
There was a special currency for Sarah Daniels’ Neaptide being the opening play in the #ntQueer season as this 1986 drama was actually the first by a living female playwright at the National Theatre – an astonishing fact all told.
A Theatre Trip for Every Child, Lewisham is a new giving scheme to provide a free theatre ticket for every 5-year-old in the Borough of Lewisham. ‘Every Child’ enables businesses and individuals to give a local child the chance to experience the magic of theatre.
Have you seen the great reviews for our Featured Show, the 40th anniversary revival of Dennis Potter’s controversial masterpiece Brimstone and Treacle, which continues at London’s Hope Theatre until 20 May 2017. A selection of some of our favourite review quotes are gathered below…
There’s something refreshingly anarchic about Simon Stephens. In his very long preface to the printed text of Nuclear War, Stephens talks at length about the process of writing this play and how the origination of it came from his interest in writing a piece of text for movement/dance.
Text can sometimes be a prison. At its best, postwar British theatre is a writer’s theatre, with the great pensmiths — from Samuel Beckett, John Osborne and Harold Pinter to Caryl Churchill, Martin Crimp and Sarah Kane — carving out visions of everyday humanity in all our agonies and glee.
Lucid and engaging, the Lyceum’s Scottish-set production of The Winter’s Tale has much to recommend it, even if it does not quite convince.
Romanes warns of “sector of administrators”: Muriel Romanes has used her award of a CATS Whiskers at this year’s Critics Awards for Theatre in Scotland to call for the artist to be put at the heart of theatre.
Strong showing in noms for annual theatre awards: Edinburgh companies and festivals make a strong showing in the shortlist for the 2016 Critics Awards for Theatre in Scotland, announced today, Monday 16 May 2016.
Discombobulating: Taut, hilarious and shocking, Right Now – at Edinburgh’s Traverse following its run at London’s Bush Theatre – plays with farce and comedy before finding a dark corner of the psyche in which to settle.
You know you’ve seen something good at the theatre when you’re still thinking about it 24 hours later. Catherine-Anne Toupin’s darkly comic drama Right Now is as unsettling as it is often hilarious, with a plot that twists and turns until we (quite literally) have no idea where we are, and a conclusion that leaves a lasting impression and sends its audience away with just as many questions as answers.
Quebec drama about a young mother’s disintegrating sense of self is brilliantly strange and inspiring.
✭✭✭✭✩ Fertile soil:
Involving, dark, human poetry is in great supply in The Deliverance at Assembly Roxy. Stellar Quines’ presentation of the third part of the story that began with The List is a success in its own right, as well as a worthy successor to what has gone before.
Hugely – if inconsistently – funny, but lacking real dramatic impact, Yer Granny at the King’s is certainly crowd-pleasing but does not seem destined to linger long in the memory. Douglas Maxwell has taken Roberto Cossa’s Argentinian comedy La Nona and transported it to 1970s Scotland for the National Theatre of Scotland’s touring production. A family of Italian descent are suffering financial hardship, due largely to the Granny of the title, a monstrous 100-year-old who is literally eating them out of house and home.