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‘Unfunny echo of today’s sexual & social injustices’: MEASURE FOR MEASURE – Donmar Warehouse ★★★

In London theatre, Opinion, Plays, Reviews by Carole WoddisLeave a Comment

There’s every reason why Josie Rourke should have chosen Measure for Measure to direct in her final season as the Donmar’s artistic director. Anyone with half an ear to public events in the arena of gender relations and abuse of power in the past two years would recognise its extraordinary pertinence.

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Mark Shenton views the week of news, openings & radical overhauls of Shakespeare in the West End, Broadway & beyond

In Awards, Broadway, Features, London theatre, Musicals, Opinion, Plays, Regional theatre, Reviews, Ticket recommendations, Touring by Mark ShentonLeave a Comment

Mark Shenton offers the week’s news, reviews, quotes and tweets in theatre from both sides of the Atlantic, including an interview with Sonia Friedman, reviews of Shakespeare in three different abbreviated versions, and a YouTube star appearing on Broadway.

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In London theatre, Opinion, Plays, Reviews by Edward SeckersonLeave a Comment

Shakespeare’s strangest and nastiest play is a kind of black farce where the reckless dash to redemption makes the redemption itself – forgiveness, reconciliation, all is sort of forgiven – seem like an afterthought. Joe Hill-Gibbins is having none of it and dives into the play’s intractable vision of a city, a culture, a world, caught in a spiral of skewed morality with almost indecent relish. It’s all noise and garage music and a tangle of exhausted blow-up sex dolls. And it moves so fast (1 hour 50, no interval) that the lines between sin and retribution and perpetually blurred.


In London theatre, Plays, Reviews by Libby PurvesLeave a Comment

Sex is at this play’s core. But it’s not sexy in the slightest. It’s a means of leverage, abuse, it’s a crime, a threat. Each of the 50 or so plastic sex dolls strewn across the stage make you want to stew in hot bleach. You can taste the immorality of this Vienna.

MEASURE FOR MEASURE – Shakespeare’s Globe

In London theatre, Plays, Reviews by Matt MerrittLeave a Comment

Measure For Measure is one of Shakespeare’s problematic
plays, a comedy that can be difficult to come to terms with for modern
audiences. The mix of bawdy banter and religious fervour is a heady one and Dominic Dromgoole, in his last
directorial outing as Artistic Director of Shakespeare’s
, gives both sides of the argument equal time.

By now I’ve grown to expect an interesting preamble whenever
I see a show at the Globe, from the decadence of Cleopatra’s court to the
capering of a Dromio in Comedy of Errors it pays to be in your seat early… Even
I wasn’t prepared for the anarchy of bawds and whores cooing at the audience
and dragging punters into their houses while the constable gives chase. Its
choreographed anarchy and brilliant fun!

At it’s heart the
show swings around Angelo and Isabella, the former a pious lord who rules
Vienna in the stead of the departed Duke, the latter the sister of a man
sentenced to death for impregnating a young lady who was not his wife. Kurt Egyiawan makes for a particularly
rigid Angelo and the scene where he fails to control his lust for Isabella’s
purity is beautifully played. Mariah
’s Isabella is a beacon of wholesome devotion, save for the moment her
brother begs her to offer up her body in payment for his freedom and she lashes
out at his face. She gives her character layers of conflicting feelings, though
sometimes her voice fails to carry nearly as well as her castmates.

The drama of Isabella’s dilemma is a stark contrast to the
slapstick comedy elsewhere as prostitutes and men of ill repute are rounded up
by the dim-witted Constable Elbow. The two tones give the play some much needed
levity but occasionally threaten to overwhelm the seriousness of the story.

The whole is orchestrated with aplomb by Dominic Rowan’s fast-talking Duke.
Often portrayed as a wise and benevolent benefactor, Rowan gives him the air of
a man making it up as he goes along and never truly sure of what will happen
next. A refreshing take.

As Dromgoole’s globe farewell this is perhaps a lacklustre
choice, but not for want of some great ensemble work. Even in baking heat the
cast were a blur of motion – not easy in woollen costumes that had already been
worn once that day I’m sure!