While its title may match the chill of Melbourne winter, the arrival of Frozen brings welcome warmth and theatrical magic as the first major musical to debut locally since March 2020.
Not just an original score but also an original and highly entertaining story, new Australian musical Fangirls explodes onto the Melbourne stage in a very welcome yet all too brief season.
In celebration of the ongoing return to live theatre, Sydney turned on perfect conditions for the opening night of La Traviata on Sydney Harbour.
Riding the crest of the oh-so-politically-correct zeitgeist, The Cane taps into the current craze for scrutinising old sins under today’s standards.
As their 2021 autumn tale, Melbourne Shakespeare Company presents a lively, well-judged open-air staging of A Winter’s Tale in the charming surrounds of Central Park Malvern.
The joy of finally returning to live theatre in Melbourne is exponentially magnified by the heart lifting humanity of the first musical to reopen, Come From Away.
Set to dazzle and divert, the Broadway revival of Chicago returns for its third Melbourne sentence with as sexy and sinewy a company of dancers as could possibly be wished for.
In a production as spectacularly staged as it is intelligently conceived, Faust is another mighty achievement from Opera Australia, demonstrating the full extent of their resources to sterling effect.
Well worth the 25 year wait, this was the Moment, not just for Anthony Warlow to actually play Dr Jekyll and Mr Hyde on stage, but also for Australia to finally see a professional production of Jekyll and Hyde.
Brilliantly bolstered and boosted, Stanton Welch’s new Sylvia enlivens and enhances the 1876 original for an evening of pure theatrical enchantment.
Whoopee baby! Thoroughly Modern Millie returns in a splashy, starry staging that distils the very essence of musical comedy into an evening of unabashed joy.
Offering the pure joy of musical theatre at its unadulterated best, Come from Away is a breathless celebration of the finest qualities of humanity.
Pure escapist fun, new Broadway musical Beetlejuice runs high on daffy hilarity with an irresistible undercurrent of snarky wickedness.
Storm Boy is theatre for children and yet it is not children’s theatre. As memorable family entertainment it is very hard to beat, with the additional benefit of possibly inspiring follow-up conversations on deeper issues.
The Australian Ballet heads straight back down the rabbit hole, returning award-winning 2017 hit Alice’s Adventures in Wonderland to the Melbourne stage for a very welcome encore season.
Lazarus is unlikely to appeal to lovers of traditional musical theatre, but for those seeking theatre with an edge the production more than lives up to its tantalising promise.
Intelligently conceived and handsomely staged, David McVicar’s production of Così fan tutte matches elegance and wit with the simple pleasure of Mozart’s heavenly music.
Verdi’s richly melodious tragedy glistens again as Opera Australia returns its much loved Moshinsky staging of Rigoletto to the Melbourne stage.
Given the resources regularly lavished on revivals of international classic plays, this season of modern Australian classic Così is as welcome as it is deserving.
An all too rare independent musical theatre production, the new Australian staging of Barnum sees Todd McKenney embrace the chance to play iconic huckster P. T. Barnum.