Musical theatre’s new guilty pleasure, & Juliet is an accelerated endorphin rush that leaves the cheering crowd on a giddy high. A jukebox musical so in touch with its identity that it literally starts with a jukebox on the stage, & Juliet corrals more than two dozen of 100-plus hits of mega successful songwriter Max Martin into a sassy, sexy musical comedy.
Thrillingly balancing dangerous drama and rapturous romance, John Cranko’s Romeo and Juliet enthrals once again in this grandly staged, meticulously recreated hallmark production from The Australian Ballet.
Timeless to Me, Hairspray shakes and shimmies once again, the sheer quality of the show itself shining through just as radiantly at 20 years old. Winner of seven 2003 Tony Awards including Best Musical, Hairspray encapsulates the very essence of what makes Broadway such a joy in our lives.
Bubbly, bold and brassy, 9 to 5 the Musical is a well-timed wallop of feel-good fare. Proving an ideal fit for a cinema-to-stage adaptation, hit 1980 movie 9 to 5 provides three leading ladies for the price of one, not to mention the scope, fully realised, for an all-singing, all-dancing set of stenographers and executives. Hailing from Broadway in 2009, 9 to 5 the Musical soared to new life in a restaged production for London’s West End in 2019, its hearty feminist power amplified again for a new generation.
A jewel-toned joy, Rodgers and Hammerstein’s Cinderella transports audiences back to the magic of Broadway’s Golden Age, when an evening of musical theatre meant a magical discovery of new and wondrous work.
A wild ride back to the heady, pre-woke 1990s, Cruel Intentions the ‘90s Musical is a salacious guilty pleasure that has all the makings of a cult classic.
In a mighty coup for Melbourne, world-conquering tenor Jonas Kaufmann graces the ranks of Opera Australia for a fully-staged production of Wagner gem Lohengrin.
Artfully conceived and oh so lovingly crafted, Girl From the North Country tempers a heart-rending narrative with the heart soothing balm of more than 20 exquisitely arranged Bob Dylan songs.
Deliberately marooned in Paris at the end of WWII, ex-serviceman Jerry Mulligan juggles art, romance and music as he makes new friends, attracts the attention of a wealthy benefactress and falls helplessly in love with a mysterious young dancer.
Australia’s theatre capital takes its turn to host the Room Where It Happens, as Hamilton arrives in sensational form, setting off a theatrical powder keg at Her Majesty’s Theatre, Melbourne.
Delayed over the past two theatrically arid years, multi-Tony Award-winning musical Fun Home finally makes its Melbourne debut, arriving in a superbly cast, sharply directed production.
Electrifying new musical Jagged Little Pill commands attention, breaks hearts and, ultimately, inspires hope in this thrilling Australian premiere season.
The border control comedy we didn’t know we all needed, The Comedy of Errors is Melbourne Shakespeare Company’s convivial contribution to the welcome wave of theatres reopening.
Respectfully adapted and lushly scored, dreamily romantic and heartbreakingly moving, the new movie adaptation of evergreen classic West Side Story gleams with the splendour of mega-budget movie magic.
A spectacular spectacular, Moulin Rouge! the Musical arrives in Melbourne in ravishing form for its Australian premiere season.
Well worth the ever-extended wait, the lush new Melbourne Theatre Company production of Shakespeare’s pleasantly pastoral comedy As You Like It proves an appealing year-end treat.
While its title may match the chill of Melbourne winter, the arrival of Frozen brings welcome warmth and theatrical magic as the first major musical to debut locally since March 2020.
Not just an original score but also an original and highly entertaining story, new Australian musical Fangirls explodes onto the Melbourne stage in a very welcome yet all too brief season.
In celebration of the ongoing return to live theatre, Sydney turned on perfect conditions for the opening night of La Traviata on Sydney Harbour.
Riding the crest of the oh-so-politically-correct zeitgeist, The Cane taps into the current craze for scrutinising old sins under today’s standards.