A brilliant choice for the first musical to be presented as the annual Handa Opera on Sydney Harbour, West Side Story is given lavish, large scale treatment in what is essentially a highly respectful, traditional production.
As witty as it is romantic, the Australian Ballet’s characterful production of Cinderella makes an unplanned yet very welcome return visit to Melbourne, showcasing the glorious partnership of married principal artists Ako Kondo and Chengwu Guo.
Newcomers to Jersey Boys are sure to enjoy the memorable music and terrific stage talent. Those who have seen the show (possible more than once) may be harder to coax back, but the performance of Ryan Gonzalez is certainly a compelling attraction.
Far from a mere indulgence in nostalgia, or, worse, a cynical money grab, Harry Potter and the Cursed Child is a compelling, amusing, intriguing and affecting play, featuring ingeniously creative staging that surpasses what could previously be described as world class.
In presenting this long overdue Melbourne premiere season of Parsifal, Victorian Opera gives Wagner’s final opera an intelligently conceived, splendidly-performed production.
Melbourne Theatre Company begins the new year with a showcase for revered actress Miriam Margolyes who takes on the cantankerous title character in Alan Bennett’s The Lady in the Van.
With confidence and polish that cover all aspects of production, Melbourne Opera takes on another Wagner opera The Flying Dutchman with further success.
With physical humour, highbrow theatrical humour, lowbrow theatrical humour, musical theatre moments, live stunts and more, Peter Pan Goes Wrong is highly recommended for fun-loving families of all ages.
Exemplifying the meaning of the term “revival”, Marianne Elliott delivers a brand new take on classic concept musical Company that is fresh, funny and altogether fabulous.
The Australian Ballet continues their cleverly conceived Storytime Ballet series with Coppélia, an ideal first ballet for young audiences.
Youthful energy and intelligent direction burn brightly in this exhilarating new production of evergreen modern classic Rent in Melbourne.
The sterling result of the determined and loving labours of countless talents, Opera Australia’s Melbourne presentation of Die Meistersinger von Nürnberg is a shimmering musical and visual treat, with added interest coming from some intriguing directorial choices.
On an ordinary Sunday, Melbourne theatregoers were treated to the extraordinary talent Broadway legend Mandy Patinkin.
It’s Melbourne’s turn to climb to the top of Mount Rock, as feel-good phenomenon School of Rock makes its blistering Australian debut.
In its third Melbourne appearance, Opera Australia’s splendid 2011 production of La Bohème is as appealing as ever.
Completing their ever-grander 20th season, The Production Company serves up a delectable slice of musical theatre heaven with the merrily macabre A Gentleman’s Guide to Love & Murder.
One of Broadway’s most rapturously beautiful scores, Nine the Musical is given a smartly conceived, darkly burnished boutique production by prolific Melbourne company StageArt.
Mark Doran gives a thrilling, world-class performance in the title roles as CLOC Musical Theatre successfully trades the melodramatic for the macabre in this revival of its 2005 production of Jekyll & Hyde.
Showcasing the exciting talents of a diverse cast, Madiba the Musical is ultimately an inspiring celebration of the life of Nelson Mandela.
A perfect match of star and show, Evita benefits mightily from the powerhouse vocals and intense presence of Tina Arena.