I’ve launched a brand-new weekly podcast, called ShenTen, in which I will countdown my personal top tens in different theatrical categories.
The Menier Chocolate Factory has announced the forthcoming two productions – the European premiere of Paula Vogel’s Tony Award-winning play Indecent, directed by Rebecca Taichman; and Alan Bennett’s Habeas Corpus directed by Patrick Marber, who returns to the Menier following his hit production of Tom Stoppard’s Travesties.
Ought To Be Clowns barely saw 250 shows this year, quiet by his standards. And as is the way of these things, here’s a rundown of some of the productions that moved me most…
With a new year fast approaching, it is an interesting time to reflect on small changes across the theatre landscape in 2019 that will continue to shape how UK theatre will look as it moves into a new decade.
Emma Clarendon selects her favourite theatre productions of the year…
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre including Love London Love Culture’s delight at watching Jamie Lloyd’s razor sharp West End production of Cyrano de Bergerac.
Just walking into the theatre and seeing Paul Anderson’s vibrantly coloured set for The Boy Friend chases away the winter blues and transports you to 1920s Riviera in this sparkling production.
The Boy Friend is an ideal show to lighten these dark winter days, providing a healthy dose of escapism and pure joyousness for all.
At the end of a year in which female-forward and feminist theatre has made so much progress, The Boy Friend looks regressive as well as nostalgic. On the other hand, it is a colourful and escapist retreat from the winter, and we could all do with a night off from angst.
As light as a madeleine and as frivolous as a macaron, Sandy Wilson’s The Boy Friend proves a festive treat at the Menier Chocolate Factory.
Following sold-out runs at both Chichester Festival Theatre and the Menier Chocolate Factory, Laura Wade’s The Watsons transfers to the West End in 2020. The production opens at the Harold Pinter Theatre on 19 May, with previews from 8 May, and runs until 26 September.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 6 October 2019), ranging from Libby Purves’ childhood reminiscences associated with Master Harold and the Boys at the National to Abba-fest Mamma Mia! The Party and reviews of new plays The Open, Two Ladies, The Watsons and more. Enjoy.
Like characters in a book who never die, Laura Wade’s The Watsons at the Menier Chocolate Factory deserves to last forever.
Laura Wade’s gleeful reimagining of Jane Austen’s unfinished novel in The Watsons is a refreshing tribute to her work and characters.
The Menier Chocolate Factory has announced initial casting for its major revival of Sandy Wilson’s The Boy Friend running at the theatre from 22 November 2019 to 7 March 2020 (press night is on 3 December 2019). Full casting will be announced shortly.
The Menier Chocolate Factory has announced a major revival of Sandy Wilson’s The Boy Friend, running at the theatre from 22 November 2019 until 7 March 2020 (press night is 3 December), directed by Matthew White along with choreographer and associate director Bill Deamer.
Jenna Russell’s stunning performance combined with Trevor Nunn’s delicately understated production captures the soul of the story perfectly in The Bridges of Madison County at the Menier Chocolate Factory.
With its first major cast change since opening – as well as a shift across the Thames – Trevor Nunn’s Fiddler On The Roof remains one of London’s musical theatre jewels.
As part of a new series, our editor Lisa Martland picks out seven of her Top Picks from the last week of theatre (29 April-6 May 2019). Amidst her choices are two more West End productions of classic American drama: Arthur Miller’s Death of a Salesman at the Young Vic (Emily Garside) and Tennessee Williams’ Orpheus Descending at the Menier Chocolate Factory (Libby Purves).
Tennessee Williams’s Orpheus Descending may not be his greatest play but Tamara Harvey’s production for the Menier Chocolate Factory proves most affecting in the end.