Like its predecessors, 2019’s Les Misérables: The Staged Concert will be long remembered as another notable event in the musical’s performance history, heralding the return of Michael Ball to a show he helped to establish, but this time in the role of Javert.
As rehearsals begin for Les Misérables – The Staged Concert, it has been announced that Shan Ako and Lily Kerhoas will complete the principal casting as Éponine and Cosette respectively.
Michael Ball is to return to his legendary, Olivier Award-winning role of Edna Turnblad as Hairspray the Musical comes to London for a special, strictly limited season in 2020. The multi-award-winning hit musical plays at the London Coliseum for 12 weeks only, beginning performances on 23 April 2020 (press night is 29 April). With the original award-winning creative team of director Jack O’Brien …
Cameron Mackintosh has announced that for 16 weeks only Michael Ball (Javert), Alfie Boe (Jean Valjean), Carrie Hope Fletcher (Fantine) and Matt Lucas (Thénardier) will lead a large cast and orchestra of over 65 in the concert version of Les Misérables.
I have always loved the BBC Proms, especially the last night which I have only ever seen on the TV. I was never really that aware of its alter ego The Proms in the Park, that is until this year.
Meet Sarah Louise Hughes, who, straight out of drama school, has been cast in the title role of Michael Strassen’s major new production of Jim Cartwright’s modern classic The Rise and Fall of Little Voice at the Barn Theatre, Cirencester. In the latest in our Featured Show series, watch as she starts her “new journey” via some extraordinary audition tapes of her singing Judy Garland and Cilla Black…
Michael Strassen directs the new Barn Theatre, Cirencester production of Jim Cartwright’s Olivier Award-winning play with music, The Rise and Fall of Little Voice. In the latest in our Feature Show series, Michael tells us more about the approach he’s taking and why London needs to sit up and take notice of what young artistic director Iwan Lewis is up to in the Cotswolds…
Chess is officially back in London, directed by Laurence Connor and starring Alexandra Burke, Michael Ball and Cassidy Janson. Here’s what the critics have been saying about it…
There’s no denying that the plot in Chess could, despite changes in this version, be better structured. But this is a show best enjoyed by sitting back and letting the music and staging blow you away. Overall, it’s a bold and confident production well worth seeing.
It is Alexandra Burke whose star shines brightest in this production of Chess. She oozes charisma and presence and at least she comes out of this show with her reputation not just intact but further enhanced.
Chess is also a musical about love, about honour, about freedom and about hard choices. It is when these come to the fore that the musical really shines.
If you can get (or afford) a ticket, go and see Chess, if only because the score is unlikely to be played quite so sumptuously ever again. The whole production makes for an evening of stunning musical theatre.
If you’ve never seen Chess before then I think you’ll love it. I urge you to see the show regardless of its faults, it’s got a beautiful score and a moving story that you can’t help but fall in love with.
The beauty and simplicity of Chess allowed the audience to enjoy the sublime orchestration and performances. It really is a beautiful visual delight which shouldn’t be missed in this short five-week run
It’s taken over 30 years for Chess to return to the West End (though it was seen at the Union in 2013) and though it has a huge amount of resource thrown at it in Laurence Connor’s production for English National Opera, it doesn’t necessarily feel worth the wait.
Upon reaching 70 this year, Andrew Lloyd Webber is clearly in a reflective mood and hot on the heels of his autobiography Unmasked released last week, comes this new compilation album Unmasked: The Platinum Collection.
The first West End production of Chess since 1986 is to star Michael Ball, Alexandra Burke, Murray Head, Tim Howar and Cassidy Janson.
With 2018 fast approaching, here’s a look back at Love London Love Culture’s top posts of 2017.
I have to hold up my hands and say I was pleasantly surprised by more than a few of the songs here. The first two-thirds of ‘The Rose’ are genuinely spine-tinglingly lovely and even when the bombast kicks in for the finale, it stills maintains a heartfelt sincerity.
It was Kismet when Michael Ball and Alfie Boe met back in 2007 whilst performing for English National Opera. Their album Together was the UK’s highest selling album last year, and the pair has come Together Again for a follow-up album.
- Page 1 of 2