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‘Fall in love with Corrin maybe, but don’t expect a thunderclap’: ORLANDO – Garrick Theatre

In London theatre, Opinion, Other Recent Articles, Plays, Reviews by Libby PurvesLeave a Comment

One bespectacled, anxious-looking Virginia Woolf in a sensible brown skirt and dreary cardigan is never enough, so Michael Grandage’s production of Orlando at the Garrick Theatre generously opens with a whole pack of Woolfs – nine of them – in Neil Bartlett’s new version of the author’s classic whimsical-feminist fantasy.

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‘Definitely a show that’s been revived at the right time’: ORLANDO – Garrick Theatre ★★★★

In London theatre, Opinion, Other Recent Articles, Plays, Reviews by Olivia MitchellLeave a Comment

Thought to be inspired by Virginia Woolf’s romance with Vita Sackville-West, Orlando depicts a boisterous protagonist whose journey spans five centuries and two genders. Its awareness of gender politics and expectations as well as the way is defies them is really something special, and it’s astounding that Woolf wrote such a groundbreaking piece of work in 1928 and that it remains so relevant now.

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’It’s a decent enough Christmas show’: FROZEN THE MUSICAL – Theatre Royal Drury Lane ★★★★

In London theatre, Musicals, Opinion, Other Recent Articles, Reviews by Libby PurvesLeave a Comment

Phew. The Broadway-rooted, Disneylicious, long-awaited red-carpet premiere night of Frozen featured (of course) an ice-blue carpet. And the throng bursting out to meet the paps afterwards was met by actual snow-blowers, so that our soggy heatwave outfits blended nicely into the evening’s actual rain as we skittered out of range.

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Can honest critics have theatre professionals as friends?

In Broadway, Features, London theatre, Musicals, Online shows, Opinion, Plays by Mark ShentonLeave a Comment

I’m unashamedly a friend and champion of the theatre; but I can never been a simple cheerleader for it, regardless of the circumstances or my connections with people in a show I’m seeing. As honest critics find out all too often, we’re loved when we love something we see; but that can quickly pivot to becoming the enemy when we don’t.

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Mark Shenton’s weekly chart of forthcoming theatrical comings & goings has some new entries

In Edinburgh Festival, Features, London theatre, Musicals, Online shows, Opinion, Plays, Regional theatre, Scotland, Touring by Mark ShentonLeave a Comment

This weekly column keeps track of the shows that are coming back, or are newly being announced, as theatres prepare to re-open from next month onwards. It will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.

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Returning & new productions heading for the West End & beyond post-lockdown: Are you up to date?

In Broadway, Features, London theatre, Musicals, Online shows, Opinion, Plays by Mark ShentonLeave a Comment

Meanwhile, I want to start keeping track of the shows that are coming back, or are newly being announced, in a new feature here that will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.

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Will an older generation of creatives be altruistic enough to make room for young talent?

In Broadway, Features, London theatre, Musicals, Online shows, Opinion, Plays by Mark ShentonLeave a Comment

A constantly recurring theme as we hopefully start emerging from this pandemic — and even long before it actually happened — was about creating space for new voices and talents, and preferably younger and more diverse voices, whether as writers, directors, producers, designers, actors or even theatre critics.

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‘No production need die anymore when the final curtain comes down’: How NT Live became a game changer on the road to digital streaming

In Features, London theatre, Musicals, Online shows, Opinion, Plays by Mark ShentonLeave a Comment

ll producers going forward will build digital preservation of their productions into their business models — and a future revenue stream will be available that means that no production need die anymore when the final curtain comes down, either.