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THE GIRLS – West End

In London theatre, Musicals, Opinion, Reviews by Jonathan BazLeave a Comment

While Mrs Henderson Presents may have been drawn from the Windmill Girls’ wartime titillating tonic, Gary Barlow and Tim Firth’s The Girls is of a more classic vintage, savouring the sauce stirred up when the mostly mature membership of a northern branch of the WI (Women’s Institute) set out to raise funds for a local hospital by posing nude for a calendar.

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Press Pass: Overnight reviews, interviews & more on The Girls

In Features, London theatre, Musicals, Opinion, Quotes, Reviews, Sticky, Ticket recommendations by Terri PaddockLeave a Comment

In his review this morning, Michael Billington has – to borrow a phrase from Meat Loaf – taken the words right out of mouth. At last night’s West End premiere of The Girls, I was telling anyone within listening distance that, after already remarkable success as a film and a stage play (both also written […]

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NEWS: Full cast announced for Nell Gwynn transfer, joining Gemma Arterton

In London theatre, Native, News, Plays, Press Releases by Press ReleasesLeave a Comment

Full casting has been announced for the West End transfer of Jessica Swale’s new play Nell Gwynn, directed by Christopher Luscombe. The production stars Gemma Arterton in the title role, with the full cast including Paige Carter, Michele Dotrice, Matthew Durkan, Michael Garner, Greg Haiste, George Jennings, Ellie Leah, Peter McGovern, David Rintoul, Anneika Rose, Nicholas Shaw, David Sturzaker, Jay Taylor, Sasha Waddell and Sarah Woodward.

THE IMPORTANCE OF BEING EARNEST – West End

In London theatre, Plays, Reviews by Libby PurvesLeave a Comment

The heart sinks beforehand: Oscar Wilde’s sunny comedy melodrama is too familiar: skipping from one well-worn epigram to the next, from handbag to muffin, butler to Bracknell until a theatregoing audience can be tempted to join in. Directors have tried every resuscitation technique – play-within-a-play, high-speed cutting, star casting, unexpected crooked sets – with no guarantee that it’ll work. But this time, Adrian Noble and his cast pull it off, and the old dear comes up fresh as a daisy, in sets of such traditionally gorgeous Edwardiana that they get their own round of applause, and without any gimmicks at all. Unless you count casting David Suchet as Lady Bracknell: and that is not a gimmick, but a welcome extension of the great man’s ability to rule a stage with one twitch of his black, black brows.

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THE IMPORTANCE OF BEING EARNEST – West End

In London theatre, Plays, Reviews by Johnny FoxLeave a Comment

No one wants to piss on Poirot’s chips, but this really isn’t very good.

David Suchet is a superb actor. Like Angela Lansbury if you set aside his television detective work he still has an impressive pedigree even if West End appearances have been rare. But no director casting a well-funded revival of The Importance of Being Earnest would think of Suchet for Lady Bracknell any sooner than they’d ask Lansbury to play King Lear, and there is a whiff of vanity project about the enterprise.

THE IMPORTANCE OF BEING EARNEST – Touring

In Plays, Regional theatre, Reviews by Matt MerrittLeave a Comment

The Mayflower Theatre, Southampton – until 6 June 2015

Okay, I’ll admit it, I went to the theatre to see an award-winning actor perform in a way you’d never expect of him… Not Bradley Cooper in the Elephant Man (though I did see that and I enjoyed his performance very much) but David Suchet stepping about as far away from the dapper Belgian detective with the distinctive moustache as we could reasonably expect!