The Park Theatre has been absolutely buzzing with two sell-out shows, including in Park 90, Tom Wright’s debut play My Dad’s Gap Year, which has nearly sold out the rest of its run too. What’s the secret alchemy between Wright and his director Rikki Beadle-Blair?
This is possibly one of the most frustrating productions to hit the stage in 2017 so far. Stewart Permutt has created a play about two opposing people and focusing how while they are different on the surface – underneath both are equally insecure but somehow neither character’s stories feel remotely finished.
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