Hampstead Theatre, in partnership with The Guardian, is going to stream a series of hit productions from its digital archive for free.
On the surface Albion may be a play about a woman restoring a garden, but once you dig beneath the topsoil this play is about a complicated, nostalgic and divided society, struggling to reason with its national identity.
Love London Love Culture rounds up the reviews for the revival of Mike Bartlett’s play Albion at the Almeida Theatre.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
The Almeida Theatre has announced the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, running from 3-29 February 2020 (press night is 5 February) following the play’s acclaimed run in 2017.
Rachel O’Riordan’s debut season as artistic director at Lyric Hammersmith continues this month with Faustus: That Damned Woman, a co-production between the Lyric and Headlong, in association with Birmingham Repertory Theatre.
Mike Bartlett’s Christmas cracker Snowflake goes out with a bang, but it really takes a long and clumsy time to do it.
Vassa, once a timely satire of the iniquities of capitalism in its day, doesn’t really have much to say when the director has so squarely decided to move it so out of time and place.
Love London Love Culture rounds up the reviews for Tinuke Craig’s production of Vassa at the Almeida Theatre.
Vassa, adapted from Maxim Gorky’s original by Mike Bartlett, is a pitch-black comedy rather than a farce, so pitch black that you struggle to see where the laughs are.
Artistic Director of Kiln Theatre Indhu Rubasingham has announced the London première of Mike Bartlett’s latest play Snowflake which will run at the Kiln Theatre from 10 December 2019 to 18 January 2020 (opening on 16 December), directed by Clare Lizzimore.
The Lyric Hammersmith Theatre has announced its 2019/2020 programme of work, Rachel O’Riordan’s inaugural season as artistic director.
A few hours after Theresa May postponed the parliamentary vote and spun us down into another layer of Brexi-hell, the little OFS – a theatre shared with Crisis homeless centre – gave us this premiere by Mike Bartlett.
Cock is by no means classic Mike Bartlett but it is still great fun and, for connoisseurs of supreme social awkwardness in particular, a decently entertaining hour and a half.
Mike Leigh’s genius was to offer Abigail’s Party to audiences who roared with laughter without recognising themselves on the stage. Julie Burchill and Jane Robins may have pulled off the same trick with People Like Us.
I was enthralled by this fiery revival of Cock which may have lost its initial shock value in the intervening, increasingly liberated, years, but is still capable of being moving, comical and daring thanks to Bartlett’s blistering dialogue.
Artistic director Rupert Goold has announced the Almeida Theatre’s new season.
Priyanga Burford spoke to Love London Love Culture’s Emma Clarendon about her role as Hermione in The Winter’s Tale at the Shakespeare’s Globe and her upcoming role in BBC’s new drama Press.
News, reviews, controversies and interviews of the week from London to Broadway, by way of Edinburgh, including the ‘banning’ of Mazz Murray from singing a song from Dreamgirls, Edinburgh venue pay rates, and a 70-year-old Broadway understudy getting the lead.
The observations and insights that Bartlett injects in No Talking have an accumulative effect so that by the end of the play, we see the ‘magnitude’ of the absent conversation.