On LoveLondonLoveCulture, Emma Clarendon rounds up the reviews for the premiere stage adaptation of Yann Martel’s best-selling novel Life of Pi, now running at the West End’s Wyndham’s Theatre.
If it isn’t necessarily the best play around, Life of Pi at Wyndham’s Theatre can seriously lay claim to being one of the finest productions open right now.
It’s only happened a handful of times in my theatregoing life, but at Wyndham’s Theatre, I had the urge to leap to my feet and instigate a standing ovation. In fact, I felt that way as the interval arrived, the show was that good.
An Acorn by Caridad Svich is a cross-channel co-production between Impel Theatre and the Oldham Coliseum; first performed in 2017 in North America and now reimagined for the digital space.
The Lawrence Batley Theatre and The Dukes’ new digital co-production of The Importance of Being Earnest brings Oscar Wilde’s classic play up to date and transfers the action up north. I caught up with actor Tom Dixon, who plays Algy, to find out more.
This perky and playful version based on Oscar Wilde’s play The Importance of Earnest fromThe Dukes Lancaster is engaging to watch.
This re-working of The Importance of Being Earnest is fun, frothy, and at a time when theatres are in the dark, provides a much-needed laugh, and laugh I did.
Actress Melanie Marshall chatted to us about the upcoming digital production of The Importance of Being Earnest – co-produced by the Lawrence Batley Theatre and The Dukes.
Life on the lowest rung of the theatrical ladder. There are lots of in-jokes with digs at actors, directors, the rehearsal process, theatrical agents, critics and the site-specific trend.
A brand-new radio play of David Nicholls’ hit 2005 comic novel The Understudy will be performed by a stellar cast including Stephen Fry and released next month to raise funds for the theatre industry which is facing a devastating impact from the Covid-19 health crisis.
Hiran Abeysekera will return in the lead role of Pi when the celebrated five-star Sheffield Theatres production of Life of Pi transfers to London this summer.
Everybody’s Talking about Jamie has extended its West End booking at the Apollo Theatre through to October 2018.
The actors playing the teens are very fine, but top of the class are John McCrea as a spectacularly well-sung and well-observed Jamie, and Josie Walker as his mum with the only really heartfelt song in the show, ‘He’s My Boy’.
Written by Dan Gillespie Sells and Tom MacRae and adapted from a BBC documentary, Jamie casts off the archetypal coming out and gay bashing stories (though not completely ignoring them) in favour of a main narrative about an out and proud teen.
Full casting has been announced for the West End transfer of Everybody’s Talking About Jamie,
directed by Jonathan Butterell and written by Dan Gillespie Sells and Tom MacRae, which will play a
limited season at the Apollo Theatre from Monday 6 November following a critically acclaimed run at
Thanks to Jamie Campbell, Firecracker Films, Michael Ball, Sheffield Theatres and Nica Burns, a new British musical by a new British theatre writing and directing team, Everybody’s Talking About Jamie opens at the Apollo Theatre on Wednesday 22 November 2017.
Even with the best of intentions, it can be a little too easy to forget that there’s more to LGBT+ than just the G. Representations of gay men are increasingly common in our theatres but pickings are slim if we look towards the lesbian, bi, and transgender characters and stories.
What a joy it is, a breath of feel-good fresh air that can’t help but leave you feeling fabulous. With career advice flying by unheeded, all 16-year-old Jamie is really bothered about as his school-time comes to an end is whether he will attend the school prom as his drag persona Mimi Me or not.