I’ve really admired the work of Sydney Aldridge throughout the course of The Show Must Go Online, so who better to talk to about casting and her experiences with this innovative Zoom theatre project?
‘All in all, yet another brilliant show’: AS YOU LIKE IT – The Show Must Go Online (Online review)
From Rome to the Forest of Arden, as The Show Must Go Online next tackles As You Like It.
‘I could have written an entire post about Ruth Page’s performance’: HENRY V – The Show Must Go Online (Online review)
I’m running out of superlatives for The Show Must Go Online. Each show is exceptional, including the latest staging of Henry V, and manages to improve upon the previous week in as many ways as possible.
‘Enlightening & moving at the same time’: INVISIBLE MUSIC (Online review) ★★★★
Platform 4’s Invisible Music presents a beautiful and thought-provoking soundscape that is a wonderful manifestation of creativity in this period of isolation.
’A top quality production’: NIGEL SLATER’S TOAST (Online review) ★★★★
Nigel Slater’s Toast is a top quality production full of heartwarming moments and alimentary temptations – grab yourself a Walnut Whip and make yourself comfy.
’It’s perfect to adapt for the internet’: Writers Henry Roadnight & Adam Johnson on musical theatre web series Third Wheel
Writers Henry Roadnight and Adam Johnson have set about adapting their musical Third Wheel into an online production.
‘I was keen to continue to devise in a stimulating creative theatre space’: Actress Lucy Aarden on joining verbatim project Isolation Ensemble
Actress Lucy Aarden is part of #IsolationEnsemble, a company formed by director Abbie Riddell to raise urgent funds for theatres across the UK.
I feel I personally have to advocate for Shakepeare’s Globe even more strongly
Reading that the Globe may struggle to come back from this current crisis without the help of donations and emergency funding didn’t seem quite real.
‘Thoughtfully & inclusively cast’: RICHARD II – The Show Must Go Online
The Show Must Go Online was firmly back in history mode with the beginning of Shakespeare’s second tetralogy in Richard II. Not quite as much bloodshed as the previous set of histories that we’ve seen – more posturing and challenging than anything.
‘Every single week gets more inventive!’ The Show Must Go Online actors discuss their lockdown hit
I posed some questions to The Show Must Go Online returnees Luke Barton, Kristin Atherton, David Johnson and Lucy Aarden about their experiences with this weekly lockdown hit.
‘I’m glad this version has helped me to appreciate the play more’: The Show Must Go Online’s Titus Andronicus (Online review)
Last week was Shakespeare’s birthday, so The Show Must Go Online went all out with their latest production, holding a Titus Andronicus party in the Bard’s honour.
Lockdown has made me realise, as much as theatre, I’ve been missing live music
It feels slightly odd that my final show before the curtains came down wasn’t a play or musical – instead, it was a dance show.
10 wish-list productions for future National Theatre At Home screenings
Following on from the instant success of National Theatre At Home streaming event, it’s got me thinking about all the other wonderful NT Live screenings that I’d love to come to the small screen as part of this series. I have narrowed it down to my top 10.
‘Quite extraordinary innovation’: THE TAMING OF THE SHREW – The Show Must Go Online
The success of Show Must Go Online’s engrossing The Taming Of The Shrew is a real credit to the company’s creativity and the magic of this emerging art form.
‘A roaring success’: The Show Must Go Online’s Shakespeare series makes an impressive start
Last week saw the first production of The Show Must Go Online, a series devised by Rob Myles (who Mind the Blog regulars will recognise from Merely Theatre’s Twelfth Night and his insight into Shakespeare dramaturgy) which will bring a different Shakespeare play to YouTube each week with a rotating cast of actors.
‘Suffering & hope beautifully portrayed’: CAN I HELP YOU? – Omnibus Theatre ★★★★★
Can I Help You? is a sensitively and engagingly performed play that tells an all-too-familiar tale of the battle for hope when all seems lost.
Best of the Blogs: Upstart Crow, The Prince Of Egypt, Macbeth & more
In our continuing series, editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 1 March 2020), ranging from Love London Love Culture’s thoughts on David Mitchell’s West End debut in the stage adaptation of TV favourite Upstart Crow at the Gielgud Theatre.
‘Inclusive & engaging’: MACBETH – Greenwich Theatre ★★★★
A bold production of the Scottish Play from Lazarus Theatre with a heavy focus on power and ambition – a great introduction to Macbeth and Shakespeare.
‘The passion that Kaye has for his profession & Elton John is clear’: ELTON JOHN: IT’S A LITTLE BIT FUNNY – Touring ★★★★
Elton John: It’s A Little Bit Funny is a whistle-stop tour of Elton John’s outrageous life, with a soundtrack of some of his greatest hits performed by an excellent live band.
‘Compelling & moving from start to finish’: MESSAGE IN A BOTTLE – Peacock Theatre ★★★★
A compelling & human story brought vividly to life by a company that pulses with energy – Sting’s music and Kate Prince’s choreography are a marriage made in dance heaven in Message in a Bottle.