Theatre Peckham’s artistic director Suzann McLean hits the target as she notes that …cake is a bold new play which honours intersectionality.
Foreign Body is a brave and abstract way of presenting a horrific act that leaves the stories wide open to the audience’s individual interpretation without coming across as preachy.
Families separated by war and conflict have kept in touch one way or another for time immemorial. Recently giving way to skype, texts and emails, letter writing is now largely neglected – but surviving relics betray heartache, fear and longing.
In 2012, The RSC drew ire for its Orphan of Zhao casting in which there were a whole three East Asian actors. Though the production went ahead, RSC artistic director Greg Doran showed willing to listen and bring about change.
Short and sweet, classic and comical. Thomas Monckton performs a solo piece glued to his spot, centre stage beneath a low hanging lamp, which obscures his body from the shoulders up for at least half of the work. Only Bones is a classic example of body manipulation that playfully explores all the possibilities that a clown can find and make with only his body, one square metre of space, and one light.
By guest critic Rebecca Nice @rebeccajsnice NoFit State Circus takes London by storm with a big show in a big top with grand ideas and huge audiences. A must-see on the London tourist and art scene, the slightly ominous looking grey tent is nestled into a winter wonderland of overpriced bars with a ticket price […]
RashDash are angry. Like, fucking furious level of angry. They’re fed up of patriarchal language and gender stereotypes that limit both men and women from expressing themselves honestly
When fourteen-year-old boy Red starts at a new school after his parents’ divorce, his mum anxiously worries about him making friends. Soon, his mobile is constantly buzzing with texts and he’s out most evenings.
On 1 September 2004, a group of terrorists stormed a school in Beslan, holding over a thousand people hostage on the first day back after summer holidays. Most of them were children. When the siege ended three days later, over 300 people were dead.
This new piece of physical theatre by Animikii Theatre Company explores the story of the world’s first murderer: the killing of Cain by his brother Abel. The result is an intense hour of gripping storytelling communicated only through movement and sound. Co-created by Henry McGrath and Adam Davies, who also plays Abel, Origins probes the psychological and divine relationship between the two brothers and examines the reason that the two became such hateful enemies.
What happens when a dancer and performance maker loses the ability to dance due to chronic pain? She makes a solo dance piece with hardly any dance in it. A mix of emotive description, encounters with medical and health practitioners, and her own research tell the story of an injury and the subsequent pain that wouldn’t leave her body. Pointedly still and so quiet that she needs a mic, Laura Dannequin’s resilience makes a compelling piece of solo storytelling that mourns the dances her body wouldn’t allow her to make.
Five performers gleefully throw themselves around the stage inside Southbank’s upside down purple cow. Displays of tumbling, trapeze and acrobatics abound, but what makes Australian company Circa’s show different from other circus isn’t their physical skill. Closer is full of unadulterated joy and celebration of human intimacy. Personality is on show as much as circus skills are, and Closer is a powerful reminder to share our emotions with those around us because it feels great to connect with others.