If you’re looking for some festive magic this year, look no further than the Dominion Theatre for a gloriously Christmassy, sparkly production of Elf The Musical. Based on the cult classic film, it tells the story of Buddy the Elf who finds out he’s really a human, so makes the journey from the North Pole to New York City to meet his biological father and experience the world. This musical adaptation has all the most iconic parts of the film plus a heap of theatrical magic that makes it the perfect festive treat.
Musical theatre’s new guilty pleasure, & Juliet is an accelerated endorphin rush that leaves the cheering crowd on a giddy high. A jukebox musical so in touch with its identity that it literally starts with a jukebox on the stage, & Juliet corrals more than two dozen of 100-plus hits of mega successful songwriter Max Martin into a sassy, sexy musical comedy.
When you book tickets to a musical you would ordinarily expect to see a highly polished, carefully choreographed production where every line, step and song has been rehearsed a hundred times. Not so if you’re heading to Hackney Empire for An Improbable Musical, a show which will be improvised before your eyes.
Since its opening in 2019, the Turbine Theatre in Battersea has been a leading player in showcasing new musicals, while providing a safe space to try out modern and exciting work. Their most recent is a musical version of the cult classic film But I’m a Cheerleader. Producer, Paul Taylor-Mills has been championing this show for several years and after personally seeing it as a workshop version at MT Fest, it’s great to see how the musical has developed and progressed to its current form.
Turning back time from her Las Vegas residencies, The Cher Show begins in the 1950s with a young Cherilyn Sarkisian who’s longing to be a star, and progresses through her various ventures, successes and failures up to the modern day. Taking on the role of the musical icon, are three superstars who share (cher) the role and show her at various stages of her life. Debbie Kurup plays the Star, Danielle Steers is Lady and Millie O’Connell is the youngest, Baby.
Musical comedy Kathy & Stella Solve a Murder by Jon Brittain and Matthew Floyd Jones at Roundabout @ Summerhall is a hilarious caper that embraces the genre’s fans, life’s unexpected heroes and the quest to find yourself.
Andrew Lloyd Webber and Tim Rice’s Joseph and the Amazing Technicolor Dreamcoat is a staple and rite of passage for many musical theatre fans so when a production is mounted there’s always a ready and willing audience to view it. Thankfully for current audiences, the Palladium production which is currently touring the country is absolutely top notch and a dream night out.
Kinky Boots the Musical in Concert at the Theatre Royal Drury Lane is a fantastic showcase of a great cast as well as the heartwarming story that works surprisingly well in concert form. I can only imagine how great this ensemble would be in a fully staged production with all the glitz and glam the show deserves.
This is a smart and thoughtful interpretation of South Pacific that takes carefully considered approach to some of the problems in the scenario without fully absolving the characters for their behaviour and choices. Managing to balance the sparkle of the big set-pieces and the not so charming effects of military occupation with some serious emotional clout that will leave you wrung through at the end, this sets the standard against which future productions will be judged. With a UK tour running until November, Bali Ha’i is calling you, don’t resist.
After the success earlier in the year of Bonnie and Clyde in Concert, the bar has been set rather high for what concert productions at the Theatre Royal Drury Lane can provide, and Chess the Musical in Concert certainly hits the mark.
Based on the hit 1992 comedy starring Whoopi Goldberg, this is the latest touring incarnation of the highly entertaining musical Sister Act. Originally set to star Goldberg in a reprise of the role, the cast instead has the more than able replacement of Beverley Knight. Joined by Jennifer Saunders, Lesley Joseph and Clive Rowe, this revival certainly isn’t lacking firepower in the casting department.
There may be a little final sprinkle of fairy dust missing but Millennials at The Other Palace is one of the funnest shows about and it’ll be brilliant to see where it progresses.
Kate Pankhurst’s best-selling picture book Fantastically Great Women Who Changed the World is filled with fascinating facts about some of the amazing women who have changed the course of history. And it’s now been adapted into a musical by a creative team of wonderful women.
The London Coliseum was packed to the rafters and buzzing to see the long-awaited West End transfer of Lerner and Loewe’s My Fair Lady. Bartlett Sher’s joyous production had a highly acclaimed run on Broadway and has now opened here, with the glorious Amara Okereke in the leading role. A role that seems made for her.
Back for its 2022 tour, We Will Rock You is set in a dystopian future where “real” music has been outlawed and replaced with manufactured pop. Society is lived online and it’s up to a group of Bohemians to travel across the Seven Seas of Rye, declare themselves the champions and bring back rock and roll and freedom for all.
Overall, Lift is a well-paced show which lacks real depth and cohesion but is carried exceptionally well by the eight person cast. As a cult favourite, it’s worth catching just for the powerhouse voices and strong visuals.
Alex Gibson-Giorgio plays Ramon in Zorro The Musical at London’s Charing Cross Theatre. He chats to us about the rehearsal process, what it’s like playing the villain and what audiences can expect from the musical.
It has been over 50 years since the wholesome, handsome brothers from Utah, The Osmonds, began their career.
Evelyn Hoskins plays Jenna’s lovable friend Dawn who’s looking for love of her own. Evelyn spoke to us about taking the show on the road and how the pandemic changed her portrayal.
Dirty Dancing is one of the cult classic films that’s beloved by many generations and continually stands the test of time, so a stage version has a built-in audience.