Burnt Lemon Theatre’s Tokyo Rose shows that you don’t need a big budget to stage a compelling musical.
‘Far from the traditional’: SLEEPING BEAUTY ‘DREAM ON’ – Chickenshed Theatre (Online review)
It’s been a while since I’ve reviewed one of the many shows which youth theatre Chickenshed put out during the pandemic. In fact, their last released piece came out in May so apologies to them for getting to this so late on. As with some of their previously released pieces it’s one of their boldly reinvented Christmas shows, this time from 2012.
‘There’s a musical theatre dream team’: CLOSER THAN EVER – Broadway HD (Online review)
As it’s a recorded stream, you’re at liberty to choose your own encore moments and replay any numbers which particularly take your fancy – and there are bound to be several of those.*
‘A magical fever dream that invites you to suspend your disbelief’: BAT OUT OF HELL – Manchester & Touring ★★★★★
Hitting the highway until late 2022, after several staggering runs in Toronto, New York and London, Bat Out Of Hell returned to its proverbial Manchester home this weekend.
‘There are some memorable songs’: PUBLIC DOMAIN – Southwark Playhouse (Online review)
Public Domain is a verbatim musical winner which lifts the lid on life online and joins an august group of productions streamed from Southwark Playhouse. Strongly recommended.
‘Lively, funny show’: Snow White In The Seven Months Of Lockdown – Charles Court Opera (Online review)
The Charles Court Opera team, working at the King’s Head Theatre in Islington, presents Snow White In The Seven Months Of Lockdown.
‘The atmosphere was buzzing’: SHOWSTOPPER! THE IMPROVISED MUSICAL – Garrick Theatre
The Showstopper gang haves had a busy time of it in lockdown (including their Alternative Eurovision and an online musical improv) and now they are back for a residency at the Garrick Theatre on Monday nights.
‘A musical makeover that is far from obvious’: ADDING MACHINE – A MUSICAL – Finborough Theatre (Online review)
Finborough Theatre’s latest online offering is Adding Machine: A Musical, based on the American expressionist classic of the 1920s by Elmer Rice.
‘Simply exquisite musical theatre’: THE LAST FIVE YEARS – Southwark Playhouse ★★★★★
Jonathan O’Boyle’s production of The Last Five Years has to be a definitive production of this complex and unusual work.
‘This production is the real deal’: THE LAST FIVE YEARS – Southwark Playhouse
It may be almost 20 years old, but Jason Robert Brown’s The Last Five Years feels timeless and recognisable and this bold restaging at Southwark Playhouse is a triumph.
‘Only really springs to life in the musical numbers’: THE PRINCE OF EGYPT – West End ★★
Who knows, in years to come a Fringe theatre may manage to hit the right tone with The Prince of Egypt. In the meantime, this production could do with a little more creative flair and re-write.
‘The performances are outstanding’: THE PIRATE QUEEN – West End ★★★★
While audiences may find The Pirate Queen too repetitive to work as a fully realised production, it provides an evening of outstanding vocal talent and swashbuckling storytelling.
Rewrite This Story presents five reasons why you should see Once the Musical on its current tour
A beautiful, heartfelt story of an unlikely friendship between a Dublin busker and a Czech musician, we present five reasons why you should see Once on its current UK tour.
‘A night of world class musical theatre’: LES MISÉRABLES – Sondheim Theatre ★★★★
Above all it is Kretzmer’s stunning lyrical treatment of those soaring French melodies (on press night, immaculately delivered under Steve Moss’ baton) woven around a story that is breathtaking in its scope that still define Les Misérables as a night of world class musical theatre.
‘It is a star making performance from Daisy Wood-Davis’: BEAUTIFUL THE CAROLE KING MUSICAL – Touring
In this touring production of Beautiful, following on from lengthy London and Broadway runs, Daisy Wood-Davis plays Carole King from innocent 16 year old with enviable talent to an older and wiser woman.
‘A fine example of Off-West End musical theatre’: RAGS – Park Theatre ★★★★
In Rags director Bronagh Lagan has assembled some gifted talent in her Park Theatre company with Carolyn Maitland as Rebecca driving the show.
‘The music is the heart & soul of this show’: ONCE – Touring ★★★★
A welcome return for Once, a gorgeous show with music truly at its heart and soul.
‘A complete delight of a musical’: ONCE – Touring ★★★★★
The audience can’t hep but be attentive throughout as Once has the magical ability to completely wrap them up and take them on a journey that is pure and delicate.
MISSED THE BOAT: Stephen Ward
I very nearly did see this one, but it opened and closed so swiftly that I didn’t really have the chance – I wasn’t living in London at that point, so a bit more planning was required for my theatre trips.