Amour is a sweet and bittersweet story which is delicately handled by director Hannah Chissick. The concept of is intriguing and mystical, and the style of the music is chocolate box sweet.
Man of La Mancha is considered a ‘rare’ revival and from this production it’s pretty clear why. The story is highly dated and it’s evidently a very hard piece to stage.
One wonders which came first for the Grade/Linnit company – the misguided desire to mount an epic scale production of Man of La Mancha, a musical which hasn’t been.produced in London since 1968 for very good reasons, or the need to find a project for Kelsey Grammer?
A whirlwind of big hair, 80s hits, innuendos and humour, Nick Winston’s Club Tropicana isn’t a musical masterpiece but it is a whole lot of fun and a harmless piece of entertainment.
Not seen on a London stage for 40 years, Ain’t Misbehavin’ is gloriously revived at Southwark Playhouse in a co-production with Colchester’s Mercury Theatre.
Rock of Ages is a jukebox music which lacks any storyline but makes up for it through the use of humour and performance.
Canny casting directors would do well to make the trip to Highgate and catch the quartet of Sophie Camble, Rosie Needham, Louise Young and Kara Taylor Alberts in The Marvellous Wonderettes.
Queen of the Mist is not without flaws and does feel longer than it needs to be, but the quality of this excellent production cannot be denied.
Stories rule in the RSC’s brilliant production of Matilda The Musical in an adaptation which feels properly true to the spirit of its Roald Dahl original – complete with dangerous spikes and revolting children.
Hair doesn’t have much of a story but focusses on hippies, LGBTQ+ rights, Black Live Matter, women’s equality, the anti-war movement, freedom and so much more.
Funny, heartwarming, fascinating, tragic and devastating, Fiddler on the Roof is an unusual but hugely powerful musical, and this production brings out the very best in it.
For a really positive feel good evening at the theatre, suitable for all ages, I urge everyone to go and see this wonderful production of Calendar Girls The Musical.
Since the closing of Bat Out of Hell, fans of the show have been able to keep their love and involvement alive through Rob Fowler and Sharon Sexton’s album Vision of You which charts the backstory of their characters Falco and Sloane.
Madagascar the Musical was a perfect family night out, full of fun for the young audience as they tapped, cheered and danced their way through the story, against the backdrop of a damp and drizzly night outside the New Victoria Theatre.
Rip It Up does exactly that to the conventional West End tried and tested jukebox musical. In part a reality TV show and in part a showcase, the evening encapsulates a musical time-machine that will have you tapping your feet and smiling from cheek to cheek despite your best attempts to resist.
9 To 5 is a feel-good show, helmed by powerful performers who allow you to ignore the shortcomings and enjoy it for what it is: a load of female led fun.
It’s a cult classic, it’s summery fun, it’s the music of ABBA and altogether it’s a great night out. It’s never going to be the most theatrically enthralling or deeply emotive piece of theatre but Mamma Mia! is a boat load of laughs and a perfect carefree way to spend a couple of hours.
Occasionally bewildering and frequently ridiculous, Strike Up The Band is nevertheless always great fun.
Of all the new musicals that Broadway has shipped to London in recent years, Waitress is quite possibly the greatest as Sara Bareillles takes an unflinching look at 21st century America through the eyes of waitress Jenna and her two best friends and workmates, Becky and Dawn.
So if you’re in the mood for something silly, fun and boasting some serious improv talent, Notflix – The improvised Musical is an hilarious hour of entertainment that’s also totally unique every time. You don’t get that staying home with Netflix.