Back in April, part of Theatre Royal Stratford East’s response to the pandemic was to create a new type of project. They put out a call to key workers in the local community to share their stories via a video wall. Out of some of these writer Rebecca Lenkiewicz and director Nadia Fall have created a series of imagined monologues which have been filmed as No Masks.
London Theatre Company has announced its repertoire plans to reopen the Bridge Theatre during September and October 2020, “assuming that the Government gives the go ahead for indoor performances with socially distanced audiences”.
Three Sisters at the National Theatre, Uncle Vanya at the Harold Pinter and The Seagull at the Playhouse Theatre have all taken very different approaches to reworking Chekhov, bringing fresh insight and relevance to a writer whose plays have often felt rather dry.
We rounded up the reviews for a new production of Three Sisters at the National Theatre.
Inua Ellams’ writing is always so multifaceted and beautiful and this interpretation of Three Sisters is no exception, whether you have strong feelings on Chekhov or not.
The National Theatre has announces 15 productions of new plays and fresh adaptations by leading writers. Olivier Theatre My Brilliant Friend 12 November 2019 to 18 January 2020 (Press day is 26 November). Plays in rep, with further performances to be announced Following a sell-out run at Rose Theatre Kingston, the two-part adaptation of Elena Ferrante’s My Brilliant Friend by April De Angelis is reworked …
Theatre Royal Stratford East has announced Nadia Fall’s second season as artistic director to run from autumn 2019 to summer 2020.
Frantic Assembly’s latest, The Unreturning, is a moving meditation on war and masculinity, thanks to playwright Anna Jordan.
There’s much to delight in Sarah DeLappe’s punchy debut play, an American account of a group of teenage girl soccer players.
Rufus Norris has unveiled the National Theatre’s plans for 2019 and beyond. Highlights include the world premiere of Small Island adapted by Helen Edmundson from Andrea Levy’s novel, directed by Rufus Norris.
Apparently, 2018 is the ‘Year of the Woman’, and it has definitely felt like the world of theatre has stepped up for the occasion.
Lenny Henry is to take on the role of smooth-talking hustler Elmore in August Wilson’s King Hedley II (17 May to 16 June 2019) as part of Nadia Fall’s inaugural season as artistic director of Theatre Royal Stratford East. This marks the first time Wilson’s work will be staged at the venue.
Artistic director of Theatre Royal Stratford East, Nadia Fall, has today announced her inaugural season, beginning this September.
Arthur Darville stars in Nadia Fall’s production now playing at the Bush Theatre. Here’s what critics have been saying about it.
Hir is set in a settlement somewhere in California’s Central Valley, where plywood houses have been built on landfill sites, and dozens lie empty, abandoned during an economic downturn. All is not well in the Connors’ cheap abode: fiftysomething Arnold is a plumber who lost his job to a Chinese-American.
Theatre Royal Stratford East today announce the appointment of Nadia Fall as their new Artistic Director. Fall takes up the role full time from 1 January 2018, taking over from Kerry Michael.
Arthur Darvill leads the cast of the UK premiere of HIR, by Pulitzer Prize finalist Taylor, at London’s Bush Theatre.
In March 2017, following a landmark year taking plays into the communities of West London, the Bush Theatre will return home following a £4.3m revitalisation of the venue. The year-long redevelopment has been driven by the aim of realising Artistic Director Madani Younis’ vision for a theatre that reflects the diversity and vibrancy of London today. The Bush Theatre strives …
The National Theatre has announced new production dates and casting updates for its next booking period, running from January to April 2016. Highlights include: Sharon D Clarke in the title role of Ma Rainey’s Black Bottom, directed by Dominic Cooke; Katie Mitchell’s revival of Sarah Kane’s 1998 play Cleansed; Lorraine Hansberry’s Les Blancs, directed by Yael Farber; a modern take on Nikolai Erdman’s The Suicide by Suhayla El-Bushra, directed by Nadia Fall; and the New York transfer of Annie Baker’s Pulitzer Prize-winning play The Flick.
DRAMA AS REDEMPTION From the first moments Nadia Fall’s production sets brutal, bullying humanity against a hot, strange, majestic Australian dawn. A lone aborigine watches, silent on a great dark bare plain , as the land heaves beneath him and … Continue reading →
- Page 1 of 2