Directed by Nancy Medina, Zodwa Nyoni’s The Darkest Part of the Night shares the experience of a young, autistic Black boy, Dwight. The play follows his diagnostic process in 1980s Leeds. Tenderly by Lee Phillips, he is a young man full of joy – he loves to dance, listen to music, and play “the adventure game” with his sister Shirley, the rules of which are never really explained.
Caryl Churchill’s superb Top Girls receives a luxurious but clear-sighted production from Lyndsey Turner at the National Theatre.
Enjoyably high-definition revival of Caryl Churchill’s 1982 feminist classic Top Girls gets the National’s big-stage treatment.
I’m Not Running is David Hare’s 17th new play to be presented at the National Theatre but for a playwright known for espousing the state of the nation in his work, there’s a frustrating vagueness that leaves him feeling just a little out of touch.