Despite the challenges, and judging by the Young Vic’s typically youthful, mixed audience, Nora: A Doll’s House is a production to which they can relate and which, so far as I could see, kept them on the edge of their seats.
Journalist, theatre critic, university lecturer and playwright Patrick Marmion plunders Moliere’s Tartuffe and borrows a smidge from Shakespeare and Euripides for his latest offering, a comedy called Keith? at London’s Arcola Theatre.
Joe Hill-Gibbins’ of The Tragedy of King Richard the Second is inherently divisive, and the critics have obliged but, only three days into the year, it is very hard to imagine a more exciting or compelling Shakespeare coming along in 2019.
Simon Russell Beale and Leo Bill shine in Joe Hill-Gibbins’ perfectly reimagined The Tragedy of King Richard the Second at the Almeida Theatre.
In light of Roman Tragedies reminding us of the vast potential of what Shakespeare can be rather than the tendency towards the ‘proper’ readings of his work that we tend to get here in the UK (vast generalisations I know, but can you really argue against it…), it’s gratifying to see directors, and venues, taking the opportunity to stretch those traditional notions.