Acting for Others has announced that Phoebe Waller-Bridge has been appointed vice president of the theatrical charity.
So, bravo National Theatre. Others may have joined in the home streaming trend but nobody else did it bigger or better. Time to look for yet another new normal for Thursday evenings.
Sixteen weeks ago the National Theatre At Home season was launched and this week the final show began its one week run. In Amadeus they may just have saved the best until last.
Like Shakespeare’s greatest play, The Deep Blue Sea is grief channelled into art, aligning Hamlet and Hester as two souls enveloped by death and choosing whether to live.
In the case of The Deep Blue Sea I find myself firmly sitting on the fence. Good performances? Mostly. Fine production? Mainly. Great play? The jury’s still out.
The National Theatre’s 2016 production of Les Blancs was directed by Yaël Farber and used the full resources of the Olivier stage to transmit its full force.
Lorraine Hansberry’s play Les Blancs is vividly and powerfully brought to life in Yaël Farber‘s atmospheric production.
Enhancing the magic and dreamy qualities of the play, Nicholas Hytner’s production of A Midsummer Night’s Dream is a delightful two hours of comedy, love and misunderstandings.
A terrific and epic play about the Windrush generation: Andrea Levy’s sprawling novel Small Island has been turned into a glorious staged adaptation by writer Helen Edmundson.
An excellent production of a modern classic with a towering central performance: Alan Bennett’s early 1990s play examines public versus private monarchical concerns at the end of the 18th century in the latest stream from National Theatre At Home.
The National Theatre today announces a further five productions that will be streamed as a part of the National Theatre at Home series.
To take a play as epic in scale as Coriolanus and find a natural home within the intimacy of London’s Donmar Warehouse takes a skill and lightness of touch that is not only rare but all so often missed.
There are some staggering contemporary references to draw from this staging of a lesser-known Shakespeare, starring Tom Hiddleston.
Alan Bennett’s epic multi-award-winning drama The Madness of George III, starring Mark Gatiss in the title role, will be streamed from next Thursday 11 June 2020 via National Theatre at Home.
The chaos of national politics in the mid-1970s seemed light years away in 2014, but how arrogant that assumption seems now.
The plotline of James Graham play covers several years during a period when majorities were slim and politics was a brutal business.
It is not often that one reviews a play one saw six years ago, but with the forthcoming National Theatre At Home streaming of the Donmar Warehouse production of Coriolanus, right now seems a strangely appropriate time to recall one of the best nights of theatre of my life.
I’ve always found Antony and Cleopatra a bit of a slog. There, I’ve said it. Too many scenes which flit about all over the place, too many minor inconsequential characters, deaths which seem interminable.
The National Theatre has announced its third tranche of archive shows that will be streamed every Thursday at 7pm BST via its YouTube channel as part of lockdown initiative National Theatre at Home.
This is the theatre at its very best and on screen, both productions are gripping, using the camera work to richly convey the abstract shapes and grand vision of its boldly beautiful staging, while allowing the connection between the lead actors to shine.
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