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‘The show sparkles with invention’: SWEET CHARITY – Donmar Warehouse ★★★★

In London theatre, Musicals, Opinion, Reviews by Carole WoddisLeave a Comment

‘A sweet sexy fairy tale’ is how one critic described Sweet Charity on its opening in London in October 1967. And Josie Rourke’s final production as the Donmar’s artistic director before handing over to Michael Longhurst certainly lives up to that description, but also makes it something rather more and darker because of the unlikely casting of Anne-Marie Duff as Charity.

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NEWS: Further casting is announced for Josie Rourke’s production of Sweet Charity at the Donmar Warehouse

In London theatre, Musicals, Native, News, Press Releases, Sticky by Press ReleasesLeave a Comment

The Donmar Warehouse has announced further casting for artistic director Josie Rourke’s farewell production Sweet Charity. Joining previously announced cast members Anne-Marie Duff as Charity and Arthur Darvill as Oscar will be Lizzy Connolly, Lauren Drew, Jo Eaton-Kent, Will Haswell, Charlotte Jaconelli, Stephen Kennedy, Debbie Kurup, Martin Marquez, Ryan Reid, Amy Ellen Richardson, Danielle Steers and Shaq Taylor. The musical will run from 6 April to 8 June 2019 (press night is 17 April).

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PROMISES, PROMISES – Southwark Playhouse

In London theatre, Musicals, Opinion, Reviews by Ian FosterLeave a Comment

On the face of it, you could see why reviving Promises, Promises would be an appealing prospect – written by Neil Simon from a Billy Wilder film and featuring a score by Burt Bacharach and Hal David. But digging even just a little deeper – a running time of nearly 3 hours and an antiquated set of gender politics made it a tough one to watch, and an even tougher one to excuse in today’s society.

PROMISES, PROMISES – Southwark Playhouse

In London theatre, Musicals, Opinion, Reviews by Ian FosterLeave a Comment

On the face of it, you could see why reviving Promises, Promises would be an appealing prospect – written by Neil Simon from a Billy Wilder film and featuring a score by Burt Bacharach and Hal David. But digging even just a little deeper – a running time of nearly 3 hours and an antiquated set of gender politics made it a tough one to watch, and an even tougher one to excuse in today’s society.