Opening in London this month is the transfer of the NT’s Nine Night (now at Trafalgar Studios), Jailbirds at the Etcetera Theatre, Pinocchio at The Albany, One For The Road at the Rosemary Branch, Orpheus at Battersea Arts Centre and Pinter 5 & 6 will arrive at the Harold Pinter Theatre.
Big openers include Pinter 4 (Moonlight/Night School), the return of The Curious Incident of the Dog in the Night-Time (Piccadilly Theatre), Caroline, or Change at the Playhouse and Hadestown at the National (Olivier Theatre).
It honestly doesn’t let up. At all. After an Edinburgh-focused August, and a ‘keep myself busy at all costs’ September (mostly to avoid the hell that is rush hour transport), October has rolled in, bursting at the seams because there is too much to do.
On the broader theatrical landscape, there are plenty of things opening this month! In London Eugenius! returns to The Other Palace, Milly Thomas’ Dust transfers to Trafalgar Studios 2, and Foxfinder opens at the Ambassadors.
Though at the moment it looks quiet, I have finally got a draft schedule together for my time in Edinburgh, and it seems as if my plan to ease myself in has just gone out of the window… It’s going to be a hectic week for me up there, but it has to be done!
There are, of course, a range of new shows to choose from – both in and out of London. Pigspurt’s Daughter (by Ken Campbell’s daughter Daisy) plays at Hampstead’s Downstairs venue, Honey will be performed at The Cockpit, Boxman and Where the Hell is Bernard? both run at the Blue Elephant Theatre.
An exciting couple of months coming up on the Fringe – this month I’m checking out Theatre N16’s new venue for a couple of shows, for one thing, and next month The Bunker Theatre will be a bit of a hotbed for new writing.
Lots of different things opening across the country in March. In London there are a lot of Fringe and Off West End productions coming your way.
Lots & lots of shows have their first performances in London and across the country this month, including new productions of Pinter’s The Birthday Party, Wilde’s Lady Windermere’s Fan, and Shakespeare’s All’s Well That Ends Well.