Deciphering is billed as “an inter-continental journey to the origins of human creativity” and it certainly lives up to this epic ambition.
The Theatres Trust has awarded a further £155,265 of grants to help theatres with costs of Covid-secure reopening, including changes to the building to reduce congestion, improvements to ventilation systems and simple measures like installing hand sanitisers and screens.
Holy What’s Antigone at the New Diorama shifts the focus of Sophocles’ play onto two young sisters to powerful effect.
Winners of The Stage Awards 2019 have been announced at the Bridge Theatre, London. The Bush Theatre was named London Theatre of the Year, Regional Theatre of the Year was won by Nottingham Playhouse and The Barn Theatre, Cirencester won Fringe Theatre of the Year.
The PappyShow’s Boys is introduced as a ‘celebration of manhood’ which is then swiftly followed by a fight. In hindsight, it isn’t ironic, rather it’s getting a misconception or common viewpoint out of the way.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
Now at last my prayer has been answered. Deafinitely Theatre currently brings a bilingual approach to 4.48 Psychosis – spoken English and British Sign Language — to the play, using an all-male cast.
“Don’t even think in your own language. English, all the time!” says Margaret Lovatt, a volunteer researcher in a NASA-funded project to teach Peter, a dolphin how to mimic and understand English. Led by John C Lilly, a neuroscientist at the California Institute of Technology, a dolphinarium was built and communication ‘training’ started.
A man falls to the ground, seriously injured. As he falls, ghosts of the past and his life swim before him. This is the start of Lizzie Nunnery’s extraordinary impressionistic sound picture in words and music in which she explores the darkness and unfathomable depths of the ocean.
“I originally trained at East 15 to be an actor. Within two weeks of graduating I already knew I didn’t want to pursue it – I was good at being proactive at getting an agent, but the stuff I was getting put up for, I just didn’t want to do it. “
Sonia Friedman and Sheffield Theatre both achieved hat tricks at The Stage Awards, announced today, winning, respectively, Producer of the Year and Regional Theatre of the Year for a third time.