Double Olivier nominees (and former CBBC TV presenters) Dan and Jeff return for a 10th anniversary festive season of Potted Panto, running for a festive season at London’s Garrick Theatre from 5 December 2020 to 10 January 2021 (press night is 6 December).
Nimax Theatres will open all six West End theatres in sequence from 22 October 2020 with social distancing under Covid-19 secure government guidelines. The special season will beginning at the Apollo Theatre, Shaftesbury Avenue with This is Going to Hurt, written and performed by ex-NHS doctor Adam Kay.
Actor, comedian and presenter Rufus Hound and actor, writer and comedian Katy Brand will be joining the cast of Everybody’s Talking About Jamie in March 2020 to play Hugo/Loco Chanelle and Miss Hedge at the Apollo Theatre in London’s West End.
Are you counting down the minutes? Mischief Theatre’s long-running hits The Play That Goes Wrong and The Comedy About a Bank Robbery will be soon be joined in the West End by three brand-new shows as the original mischief-makers this month commence a year-long residency of premieres at the Vaudeville Theatre.
It could be said that Bitter Wheat lifts the lid on the exploitation of power in the film industry, but it eaves an unpleasant taste in the mouth. Perhaps that was also part of David Mamet’s intention.
Steps star and Strictly Come Dancing finalist Faye Tozer will take on the role of Miss Hedge in Everybody’s Talking About Jamie at London’s Apollo Theatre from 6 May to 3 August 2019.
The producers of Everybody’s Talking About Jamie have opened a new booking period up to Saturday 25 January 2020. Entertaining audiences at London’s Apollo Theatre since November 2017, the musical is currently in its second year in the West End.
Shane Richie, best known for playing Alfie Moon in BBC’s EastEnders will take on the role of Hugo/Loco Chanelle in award-winning musical Everybody’s Talking About Jamie from 28 January until 4 May 2019.
Layton Williams will play the title role of Jamie New in the award-winning musical Everybody’s Talking About Jamie at London’s Apollo Theatre from 28 January 2019.
David Threlfall and Rufus Hound will reprise their lead roles in the Royal Shakespeare Company’s Don Quixote when the production transfers to London’s Garrick Theatre from 27 October 2018 to 2 February 2019.
The actors playing the teens are very fine, but top of the class are John McCrea as a spectacularly well-sung and well-observed Jamie, and Josie Walker as his mum with the only really heartfelt song in the show, ‘He’s My Boy’.
I’ve been consciously taking it easy (or at least easier than I usually do!) over the last week after dislocating my newly replaced hip the week before, as I described in a posting here last week was a bit of a wake-up call — I had actually scheduled some ten shows (including out-of-town trips to Leicester and Leeds) just ten days after coming out hospital the first time; but then had the wake-up call that took me out of commission entirely.
After its phenomenal run on and off Broadway, the critically acclaimed five times Tony award nominated play Hand to God (including Best New Play and Best Director) is making its way to London’s West End and will open at the Vaudeville Theatre in early 2016. Previews start on 5 February, press night is 15 February. Hand to God will feature …
Shakespeare aside, is there any playwright more quotable than Oscar Wilde? And, of all his plays, is there any more quoted than his 1895 comedy of manners, The Importance of Being Earnest? And of the famously feckless characters who populate this Wildely famous play, is there any who delivers more of those quotable quotes than Lady Bracknell?
In this new year gorgefest of lists, The Stage‘s annually compiled Stage 100 of the top influencers in theatre takes the cake. Launched in January 1997, The Stage 100 is now in its 19th year and always makes for fascinating reading – and, I’m sure, lots of behind the scenes disagreements on risers, fallers, inclusions and omissions. […]
Four of the nine Festival Highlights shows I worked on in August were solo pieces. And over the years of visiting the Edinburgh Fringe, I estimate that at least 60% of all those shows I’ve seen there have been solos – and that’s not including any stand-up. Personally, I love a good solo piece. If […]