A Scrooge to remember, A Christmas Carol at the Bridge Theatre is a 90-minute familiar Victoriana for today, catching and passing on both Dickens’ fury and his unquenchable jollity.
Filled with a real love of Dickens’ words as well as his characters the Bridge Theatre has found a fresh and exciting way to tell the familiar tale of A Christmas Carol and give Scrooge’s redemption arc a renewed emphasis.
Following news that the National Theatre has launched its much anticipated streaming service National Theatre At Home, John Chapman goes back to 2009 and NT Live’s very first live streamed production on cinema screens, Helen Mirren in Phèdre.
Simon Russell Beale, Patsy Ferran and Eben Figueiredo will play all the parts and share the storytelling in a new version of Charles Dickens’ A Christmas Carol, directed and devised by Nicholas Hytner at London’s Bridge Theatre.
Additional performances have gone on sale for David Hare’s Beat the Devil and Inua Ellams’ and Fuel’s production of An Evening with an Immigrant, the one-person plays at London’s Bridge Theatre now extended until 7 November 2020.
This is a masterly revival of An Evening with an Immigrant, Inua Ellams’ 2016 autobiographical one-man show which is both poetic and engaging.
The Talking Heads monologues The Shrine and Bed Among the Lentils are absorbing and thrilling and touching and – here is the surprise – amid Alan Bennett’s wry pathos the playlets are often enormously funny.
The Bridge Theatre’s most savvy decision is in teaming The Shrine with Bed Among the Lentils, placing together two of our finest actors who effortless and regularly transition between stage and screen – Monica Dolan and Lesley Manville.
Covid-19 must have its say to start with, so off goes the season with Ralph Fiennes directed by Nicholas Hytner and delivering Beat The Devil, a monologue by David Hare.
Emma Clarendon rounds up the reviews for David Hare’s new monologue Beat the Devil, performed by Ralph Fiennes at the Bridge Theatre.
The first short play is Beat the Devil in which David Hare stakes first claim to what will surely be a new genre or at least a familiar theme in the coming months – the Covid monologue.
David Hare gets in first with his Coronavirus monologue Beat The Devil at the Bridge Theatre, evocatively performed by Ralph Fiennes.
London Theatre Company has announced its repertoire plans to reopen the Bridge Theatre during September and October 2020, “assuming that the Government gives the go ahead for indoor performances with socially distanced audiences”.
Enhancing the magic and dreamy qualities of the play, Nicholas Hytner’s production of A Midsummer Night’s Dream is a delightful two hours of comedy, love and misunderstandings.
Theatre photography is one of the most important ways to promote a new production and simultaneously one of the elements audiences – and probably most creatives – actively think least about.
Alan Bennett writes that “I’ve always had a soft spot for George III”, for no better reason than that he had studied the monarch’s reign at secondary school and then again at uni.
Filming has begun on new productions of Alan Bennett’s critically acclaimed and multi-award-winning Talking Heads monologues, to be broadcast on BBC One with an all-star cast.
Following on from the instant success of National Theatre At Home streaming event, it’s got me thinking about all the other wonderful NT Live screenings that I’d love to come to the small screen as part of this series. I have narrowed it down to my top 10.
The first show in the National Theatre at Home programme was the 2011 smash-hit One Man, Two Guvnors, one of the great success stories of the Nicholas Hytner era, a cheeky farce written by Richard Bean and starring National Theatre favourites James Corden and Oliver Chris.
These shows, originally filmed as part of the flagship’s NT Live project, are now available on its YouTube channel. The first is Richard Bean’s gloriously silly farce, One Man, Two, Guvnors, starring the irrepressible and Tony-award winning James Corden.