Now that I’m getting into a rhythm on these daily columns, I’m going to try to introduce some regular features. And starting today, I’m planning on launching the week with column of disparate “diary” items — some fun, some not, that of stories that have made the news in the previous week.
Nimax Theatres have added a second night for Sasha Regan’s all-male take on W. S. Gilbert and Arthur Sullivan’s The Pirates of Penzance at London’s Palace Theatre. The show will now run on 12 and 13 December 2020.
Scores of productions devised to comply with social distancing have become casualties of the national lockdown that will run for one month from 5 November to 2 December 2020 in response to the continuing Coronavirus crisis.
The BoxLess Theatre production of Simon Reade’s adaptation of Michael Morpurgo’s Private Peaceful will be the first new production to be staged indoors in London’s West End since the Government closed theatres in March. Part of Nimax Theatres’ plans to reopen its theatres, the show’s two-week season at the Garrick Theatre will run from 7 to 22 November 2020.
Double Olivier nominees (and former CBBC TV presenters) Dan and Jeff return for a 10th anniversary festive season of Potted Panto, running for a festive season at London’s Garrick Theatre from 5 December 2020 to 10 January 2021 (press night is 6 December).
Nimax Theatres will open all six West End theatres in sequence from 22 October 2020 with social distancing under Covid-19 secure government guidelines. The special season will beginning at the Apollo Theatre, Shaftesbury Avenue with This is Going to Hurt, written and performed by ex-NHS doctor Adam Kay.
Shakespeare aside, is there any playwright more quotable than Oscar Wilde? And, of all his plays, is there any more quoted than his 1895 comedy of manners, The Importance of Being Earnest? And of the famously feckless characters who populate this Wildely famous play, is there any who delivers more of those quotable quotes than Lady Bracknell?
In this new year gorgefest of lists, The Stage‘s annually compiled Stage 100 of the top influencers in theatre takes the cake. Launched in January 1997, The Stage 100 is now in its 19th year and always makes for fascinating reading – and, I’m sure, lots of behind the scenes disagreements on risers, fallers, inclusions and omissions. […]