Since 2013, Natasha Langridge has watched her neighbourhood become unrecognisable. As the developers and their machinery creep ever closer with every passing month, she documents their journey along side her love life.
In the expansive hall and gift shop of the V&A’s Museum of Childhood, one corner has been set up as a playing space for Popup Opera’s Hansel & Gretel. Director James Hurley doesn’t focus on the darker elements of this fairytale, though. Using surtitles as a vehicle for humour and contemporary references, Popup Opera succeeds at making Englebert Humperdinck’s full-scale opera fun and accessible.
We are Dr Bailey’s freshman class in Draper Hall, a housing estate community space in Elephant & Castle newly doubling as a performance venue run by veteran Italian polymath Stefania Bochicchio. The non-traditional space doesn’t have a lighting rig or backstage, so shows like this that defy theatrical conventions are a natural fit.