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‘The emotion flooding from the stage is overwhelming’: THE COLOR PURPLE – Curve Leicester (Online review)

In Musicals, Online shows, Opinion, Regional theatre, Reviews by Not Exactly BillingtonLeave a Comment

Following on from the immensely successful Sunset Boulevard in Concert, Curve has reunited the company of 2019’s The Color Purple (a co-production with Birmingham Hippodrome) to once again bring a much needed dose of musical enrichment to theatre lovers worldwide.

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‘Engaging, warm & thought-provoking’: MY BEAUTIFUL LAUNDRETTE – Touring

In Opinion, Plays, Regional theatre, Reviews, Touring by Not Exactly BillingtonLeave a Comment

In a co-production with Belgrade Theatre Coventry, Everyman Theatre Cheltenham and Leeds Playhouse, Nikolai Foster and the Curve company’s adaptation of My Beautiful Laundrette has shone a spotlight on the wrongs of yesteryear at a time when, more than ever before in my lifetime, the country seems to be in a state of sinfully wilful regression.

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#ReadaPlayaWeek: Texts from John Osborne, Christopher Shinn, Abi Zakarian, E.V. Crowe & Alice Birch

In Books, Opinion, Plays, Reviews by Not Exactly BillingtonLeave a Comment

Not Exactly Billington has set themselves a challenge to read a new (to them) playtext every week. In August, their #ReadaPlayaWeek titles included John Osborne’s Luther, Christopher Shinn’s Dying City, Abi Zakarian’s This is Not an Exit, E.V. Crowe’s I Can Hear You, and Alice Birch’s Revolt. She said. Revolt again.

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#ReadaPlayaWeek: Texts from Tarell Alvin McCraney, Roy Williams, Olwen Wymark, Michaela Coel & Kenneth Lonergan

In Books, Opinion, Plays, Reviews by Not Exactly BillingtonLeave a Comment

Not Exactly Billington has set themselves a challenge to read a new (to them) playtext every week. In May, their #ReadaPlayaWeek titles included Tarell Alvin McCraney’s The Brothers Size, Roy Williams’ interpretation of Antigone, Olwen Wymark’s Find Me, Michaela Coel’s Chewing Gum Dreams, and Kenneth Lonergan’s This is Our Youth.