This triptych of plays – Nuclear War, Buried and Graceland – is a highly enjoyable and challenging evening for its audience, provoking emotion and thought through nuanced and skilled performances
Following an acclaimed run at the White Bear Theatre late in 2019, Empty in Angel returns to the stage this spring, touring to London’s Etcetera Theatre and Old Red Lion Theatre before heading to the south coast for the Brighton Fringe Festival. Book your tickets now!
After the Old Red Lion Triptych in March, I’ll return to the Islington venue for the world premiere of this darkest of modern comedies, the inaugural production from Dissident Theatre Company.
The Old Red Lion’s put together an interesting triptych of plays that, if you’re short for time, allow you to experience the gamut of human experience.
Actor Anthony Cozens is appearing in the dark comic play by the critically acclaimed writer Max Saunders-Singer which comes to the Old Red Lion Theatre next month in a triple bill alongside Simon Stephens’ Nuclear War and the harrowing Buried.
As part of her ongoing series of post-show talks, Mates founder Terri Paddock chairs an unmissable event with leading British playwright Simon Stephens following the first revival of his play Nuclear War, part of the Old Red Lion Triptych. Got any questions?
Casting has been announced for the much-anticipated Old Red Lion Triptych, which is headlined by the first revival of Simon Stephens’ 2017 one-act play Nuclear War. Time to get booking!
Simon Stephens’ 2017 one-act play Nuclear War gets its first revival in March as part of a new triple bill at London’s Old Red Lion Theatre in Islington under newly appointed artistic director Alexander Knott.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 19 January 2020), including Aleks Sierz’s view that the new production of Les Misérables at the Sondheim Theatre is marching on to victory.
“Occasionally, a piece of theatre comes along which leaves you blindsided” – Bloggers have been full of praise for Rosalind Blessed’s pair of plays exploring mental health, The Delights of Dogs and The Problems of People and Lullabies for the Lost. Take a look at what they’ve been saying, then book your tickets!
Lullabies For the Lost is one of two plays by Rosalind Blessed about mental health that are being performed in rep at the Old Red Lion.
The content of Lullabies for the Lost and The Delights of Dogs and the Problems of People is intensely real and raw and shines a spotlight on a variety of mental health issues in a very personal but accessible way.
Weeping at her mother’s performance, having her plays produced by her father and writing plays inspired by her own mental health troubles – watch Rosalind Blessed opening up about her productions The Delights of Dogs and The Problems of People and Lullabies for the Lost then book your tickets!
After Tania Amsel’s new play Blood Orange the night before, I returned to the Old Red Lion Theatre for Paragon Theatre’s adaptation of Charles Dickens’ ghost story The Signalman. Dickens in December and it isn’t A Christmas Carol? This is a must-see for aficionados and newcomers alike.
What can you expect from Rosalind Blessed’s tale of lost souls, Lullabies for the Lost, which comes to the Old Red Lion Theatre alongside The Delights of Dogs and The Problems of People next year? There’s a hint in these brand new rehearsal images. Take a look, then book your tickets.
How worried are you about the myriad pressures on the NHS today? Were you be thinking about the future of the NHS when you go to the ballot box?
Asides from being a love letter to the NHS, Tania Amsel’s Blood Orange makes clear how stressful and demanding on one’s mental health working in the caring professions is.
As she prepares to bring two plays, The Delights of Dogs and The Problems of People and Lullabies for the Lost, to the Old Red Lion Theatre, Rosalind Blessed tells us about the personal experiences that inspired them and why dogs are so important to her. Read the interview, then book those tickets.
Is the NHS “on the table” in trade negotiations with Donald Trump if Boris Johnson wins a majority at the ballot box next week? Terri Paddock chairs a special pre-election post-show Q&A at Tania Amsel’s Blood Orange.
“Uplifting” and “small in stature but big in heart” – see what reviewers have said about Theatrical Niche’s pacey, new version of Chekhov’s Uncle Vanya. Take a look at what they said, then book your tickets.