The embodiment of glamour from start to finish, White Christmas whisks you away and takes you to a wintery wonderland where lullabies and tap dances reign supreme.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre including Ben Dowell (for theatreCat) giving his verdict on the much-anticipated arrival of Dear Evan Hansen at the Noel Coward Theatre.
If you want an explicitly queer, feminist musical that’s funny, entertaining and scored by songs that you grew up listening to then go see & Juliet.
There’s something universally adored about the feel-good story of the Banks family in Mary Poppins, so it’s no surprise that the musical is once again gracing the West End.
In our continuing series, editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 3 November 2019). Libby Purves emphasises the significance of Anumpama Chandrasekhar’s new play When The Crows Visit at the Kiln Theatre.
The vivacious performances and gripping qualities of characterisation throughout make Ghost Quartet a thrilling way to spend ninety minutes.
As the Turbine Theatre’s second production, it’s wonderful to see a musical like High Fidelity which brings to life some of the excellence of this city.
Soho Cinders isn’t life-changing but it allows us to experience tongue-in-cheek, energetic performances which will entertain for the duration of the show.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 20 October 2019), ranging from Olivia Mitchell’s thigh-slapping joy on seeing Noises Off to Libby Purves’ plea that we listen to the story being told in [Blank] at the Donmar Warehouse.
With a heart of gold reminder about professionalism in the arts, Noises Off is a must see production which will surely continue to have audiences gasping for air and slapping their thighs.
Calendar Girls The Musical is a totally British feel-good show which warms the heart, uplifts and entertains. It has something for everyone and is a beautiful portrayal of women supporting women.
Strong direction by Adam Haigh and consistently impressive performances by the cast bring Brooklyn The Musical at Greenwich Theatre to life with vitality and vocal prowess, and make it one to tick off the list.
It’s rare to see such a provocative performance from a stellar performer in such an intimate space and it’s worth taking a trip just for the bragging rights of seeing Jeannette Bayardelle up close in Shida.
Back in the West End after 12 years, Fame makes a triumphant return with Nick Winston’s production. This 30th anniversary edition has been touring since 2018 but is having a prolonged five-week stop at the Peacock Theatre.
Intricate but not in-your-face Falsettos is a must-see reminder of human love; and a great example of how moving music can be.
With an influx of Broadway transfers and film/book to movie adaptations dominating the London theatre scene, it’s always wonderful to see new British theatre developing. The Feeling by Kyra Jessica Willis is a good example of this, as it brings social troubles to light in a headstrong way that feels authentically British.
One of the most iconic musicals of all time, this West Side Story is an explosion of colour and culture clashes which immerses all your senses at the Sydney Opera House. This heart wrenching tale of lovers from two sides is a rollercoaster journey, taking its audience through every emotion.
The British Theatre Academy’s production of the Caribbean-inspired Little Mermaid adaptation, Once On This Island is an enchanting show with dynamic, heart-wrenching performances, energy in spades and a glorious uptempo score.
Games for Lovers isn’t going to leave you questioning your life choices but it will leave you beaming from an utterly hilarious and fantastically enjoyable two hours.
Jonathan O’Boyle has directed a moving production of The View Upstairs which feels like an homage to those fighting for gay rights in the past, those fighting now and those who are yet to realise they need to fight.