Two prisoners are locked in an Argentinian cell. Hungry, tired, nauseous, bored out of their minds… this critic jots down a handy metaphor for the whole evening. Kiss of the Spider Woman has had many lives (a novel, a play, a film) but one wonders how it passed the high bar of the Menier for another outing.
This half-hearted, patronising attempt at storytelling, quite apart from clearly putting some orchestra members well beyond their comfort zone, can’t possibly communicate a plot as rich, dark and psychologically complex as Porgy and Bes
There aren’t many issues in life that haven’t been solved, rationalised or helpfully knocked about by plays. ‘What to do when you lose your identical twin and feel the urge to cross-dress and a random lady falls in love with you’ being one of the trickier knots: Will managed it.
On the banks of the Nile, the princess of Egypt lifts a Jewish baby from the Nile waters, but changes her mind, chucks him back and chooses a prettier one. The reject survives, is named Notmoses and winds up among the toiling Jewish captives, under a camp, leatherclad slavedriver who enjoys skipping with his whip as they build the Pyramids (“Its a pyramid scheme, we sell them before they’re finished”).
RHETORICAL ROMANCE… Ah, Cyrano! Fighter, scholar, poet, maverick: ever since Edmond Rostand’s 1897 play, set in an imagined musketeer-y 17c, he has been an archetype of reckless generosity. Last of the courtly-love serenaders, patron of all unrequited lovers who nobly plead … Continue reading →