The most lyrical and romantic thing about Light In The Piazza is its title. That, and the luscious vintage-style 50s costumes which evoke the American idyll of Italy as captured by Audrey Hepburn in Roman Holiday.
Opera North’s The Rite of Spring/Gianni Schicchi is an uneven pairing but a thoroughly enlightening and enjoyable evening nonetheless. Both works serve as great entry points to their respective mediums.
Opera North’s new production of Mozart’s The Magic Flute takes the composer’s final opera and brings out the fantastical and often comedic elements of what can at times be a dark story – several characters contemplate suicide on stage, but this version avoids ever feeling bogged down in these darker moments.
In choosing to restore rather than rejuvenate, Opera North has created a genuinely fascinating and faithful window into a bygone era. In doing so, however, they’ve chosen to celebrate the show as an antiquity, rather than drawing on its more timeless qualities.
After touring for a while, Opera North’s production of Kiss Me, Kate has slipped into the London Coliseum for a short run which showcases its glorious score and stellar cast.
With the World Cup tournament currently in play, football parlance seems appropriate in describing Opera North’s Kiss Me, Kate, arriving this week for a short stay at London’s Coliseum as a show with two halves.
An impeccable five-star production from Opera North in association with Welsh National Opera. Do not be put off by the word opera this is West End musical theatre at its very, very best.
Madama Butterfly is a captivating and moving production, go and see it and prepare to enjoy it whether you’re an opera veteran or novice.
All set to Mozart’s powerful and beautiful score, Opera North’s Don Giovanni is a really entertaining night out for seasoned opera lovers or those, like me, who are new to the genre.
You Me Bum Bum Train isn’t exactly a train journey, but it provided the ride of my life; I also made two separate train journeys to Yorkshire that provided musical and comic diversions of their own.
Opera North’s production of Rodger and Hammerstein’s Carousel is a curious combination of drama, dance and song that on occasion both hits and misses the mark.
Meant to be a story about love, loss and redemption, this version feels more like a story about anger, resentment and possibly the glorification of domestic abuse.
Opening on a busy fairground scene, we meet the protagonists of the tale: fairground barker Billy Bigelow played by Keith Higham and millworker Julie Jordon, played by Gillene Butterfield. Among the magic of the carousel – and it really is a magical and stunningly visual set designed by Anthony Ward – Billy and Julie seemingly fall in love, losing both of their jobs in the process.