In this special compilation podcast, AYULTP rounds up reviews from the past year for productions that triumphed at this year’s Olivier Awards.
Kenneth Cranham awarded Best Actor for “the role of a lifetime” Denise Gough awarded Best Actress only three years after winning Most Promising Newcomer Bend It Like Beckham wins Best Musical Robert Icke awarded Best Director for Oresteia The Critics’ Circle Theatre Awards 2015 were hosted today, Tuesday 26th January 2016, by the Critics’ Circle Drama Section Chairman (and My Theatre …
Hangmen, Judi Dench, Bend It Like Beckham, Oresteia are among the winners… The annual best of lists are always a good indication of who’s likely to triumph at the Critics’ Circle Awards, which were presented this afternoon at the Delfont Room in the West End’s Prince of Wales Theatre. Understandably so as it’s critics who, by and large, draw up those lists and critics only – voting by secret, first-past-the-post ballot – who determine the Critics’ Circle Awards.
After my two-week Christmas roadtrip in the US, I’m finally back at my desk and able to catch up on all the 2015 UK theatrical year round. Have you been keeping up in my absence? Fear not either way, because once again, I’ve rounded up the round-ups to give you an essential overview.
What a first year of blogging for me – but what shows came out on top? Read on and find out!
This is a review I’ve been pondering for a week or more now: where to start was my biggest issue. The epic proportions of this show are hard to comprehend, namely because, when you think about it, this is a trilogy of Greek tragedies that were written over 2000 years ago circa 458 BC. So you may be forgiven for thinking what relevance this theatrical event of the year has in today’s society?
The Almeida Theatre’s critically acclaimed, sold out production of Oresteia, by Aeschylus, re-imagined for the modern stage by Almeida Associate Director Robert Icke (The Fever, Mr Burns, 1984) will transfer to the Trafalgar Studios in the West End from 22 August. Press night 7 September 2015. Robert Icke’s Oresteia was acclaimed during its Almeida run as one of the theatre …
The Oresteia is probably one of those stories you don’t know. Until you start watching it again. Only then, piecing together fragments, does it slowly resurface. It’s a muddle of murders. Each one justifying the next, avenging the last.