It’s TONIGHT (24 July 2018)! As Proforca Theatre’ new adaptation of The Ballad of Reading Gaol opens to the press at London’s Theatre N16 for a limited run to 2 August 2018, here’s a stunning first look at the cast in artistic director David Brady’s new production. Time to get booking!
In their keenly anticipated season of An Ideal Husband, Melbourne Theatre Company matches the sparkle of Oscar Wilde’s wit with a gleaming production bejeweled with dazzling performances.
We’re counting down to the opening of Proforca Theatre’ new adaptation of The Ballad of Reading Gaol, running at London’s Theatre N16 23 July to 2 August 2018. In David Brady’s new production, Oscar Wilde’s original poem is melded with five pieces of new writing. Sneak a peek into rehearsals with Brady and the five-strong cast – and then get booking!
In Proforca Theatre’ new adaptation of The Ballad of Reading Gaol, running at London’s Theatre N16 23 July to 2 August 2018, Oscar Wilde’s original poem is melded with five pieces of new writing. Who’s Hero, Human, Monster, Guardian and Innocent in this immersive new staging? Watch the series of teaser trailers below – and then get booking!
Proforca Theatre premieres Reading Gaol, a fresh new adaptation of Oscar Wilde’s final work combined with new writing, at London’s Theatre N16 for a limited season from 23 July to 2 August 2018, with a press night on 24 July.
Classic Spring has announced that Fiona Button (Cecily Cardew) and Stella Gonet (Miss Prism) have been cast in Michael Fentiman’s The Importance of Being Earnest at the Vaudeville Theatre (20 July to 20 October 2018, press night is 2 August), with Pippa Nixon replacing Sinead Matthews as Gwendolyn Fairfax.
Classic Spring has announced that Olivier Award winner Sophie Thompson will play Lady Bracknell in The Importance of Being Earnest at London’s Vaudeville Theatre (20 July to 20 October, press night is 2 August).
In an otherwise charming and chic production, it can only be a shame that Classic Spring didn’t decide to take a risk with this interpretation of An Ideal Husband.
Overall it is a good, if uneven, workman-like production of The Importance of Being Earnest that struggles, at times, to be funny. It delivers the goods without any flourishes of inspiration.
For the first time ever Edward Fox, 81, is joined by his son, Freddie Fox, 29, on stage and it is a partnership that brings out the best in Oscar Wilde’s An Ideal Husband. The surprisingly modern comedy (about insider trading and dodgy politicians) is the third major production, and, by far, the most successful of Dominic Dromgoole’s year-long Wilde season at the Vaudeville Theatre.
There is certainly no faulting any of the cast’s performances or the look of the production as a whole, but it feels as though Jonathan Church’s production of An Ideal Husband is just lacking in that little bit of extra sparkle to make Oscar Wilde’s dialogue really shine and standout.
Worth going to Jonathan Church ’s latest Wilde Classic Spring revival – An Ideal Husband – if only for a feast of Foxes: patriarch Edward as old Lord Caversham and his real youngest son Freddie as his stage son Lord Goring.
Real-life father and son, Edward and Freddie Fox, will play fictional father and son, the Earl of Caversham and Lord Goring, in An Ideal Husband, as part of the year-long Oscar Wilde season at the West End’s Vaudeville Theatre. Also starring, in the role of Mrs Cheveley is Frances Barber.
It has taken more than 20 years but Jennifer Saunders this week returned to the West End stage to make her mark in Lady Windermere’s Fan at the Vaudeville Theatre.
Lots & lots of shows have their first performances in London and across the country this month, including new productions of Pinter’s The Birthday Party, Wilde’s Lady Windermere’s Fan, and Shakespeare’s All’s Well That Ends Well.
These gentle, heartfelt, poignant morality tales have all the storytelling power of folktale but with both Oscar Wilde’s elegant, poignant romanticism and satirical social anger.
Kerry Ellis will star as Gwendolen, her first non-singing role, at selected venues in the 2018 UK tour of Oscar Wilde’s The Importance of Being Earnest.
Sarah Redmond’s production for the Brockley Jack thankfully forgoes any gimmickry with a relatively straightforward interpretation, and if the result is comforting rather than pulse-quickening, well, that’s no bad thing in the end.
As one of Oscar Wilde’s most famous plays, one wonders if The Importance of Being Earnest’s aged humour and possibly outdated social values will stand the test of time. Thankfully, here, in director Sarah Redmond’s capable hands the story thrives.
Simon Callow will perform Frank McGuinness’s new stage adaptation of Oscar Wilde’s De Profundis at the West End’s Vaudeville Theatre for a limited run of just six performances from 3 to 6 January 2018. Tickets are now on sale.