On World Earth Day today this new piece from the creative collective GymJam, Anthropocene: The Human Era, makes its points in an unusual way.
Nimax Theatres, the Criterion Theatre, Young Vic and Chichester Festival Theatre are among the 2,700 organisations being offered nearly £400 million in grants and loans as part of the CultureRecovery Fund’s second tranche of funding.
This striking and edgy version of Oscar Wilde’s story The Picture Of Dorian Gray acts as a powerful warning about depending too much on social media.
The co-producers of the upcoming digital adaptation of The Picture of Dorian Gray have today announced the production’s full casting and creative team. Joining previously announced Fionn Whitehead, in the title role, are Alfred Enoch as Harry Wotton, Joanna Lumley as Lady Narborough, Emma McDonald as Sibyl Vane and Russell Tovey as Basil Hallward with Stephen Fry as the Interviewer.
What made theatre manager Gordon Stratford special for me, as a boss, was his passion for the theatre, his quick understanding of potential audiences, and his willingness to give his marketing team the chance to challenge him on proposed prices, deals, and even show choices.
The more you think about the invitation to the audience – as you say ‘come, be blocked off behind screens, we will spray you and present shows where actors stand apart, and we will try to encourage you not to sing along’, it’s like an anti-theatre.
“Thrilling”, “illuminating” & “excellent” – Headlong’s new production of Richard III has impressed critics in both Bristol, where it opened earlier this month, and at Alexandra Palace, where it continues until 31 March. Take a look at the fantastic reviews we’ve gathered together, then book your tickets!
Mirrors, mist and paper crowns – the world of Headlong’s Richard III looks dark, Gothic and ominous. Check out these stunning production shots from the touring production’s run at Bristol Old Vic, then book your tickets for its run at London’s Alexandra Palace!
Alexandra Palace Theatre, which hosts Richard III from 13 to 31 March 2019, entertained audiences of thousands during its Victorian heyday, but has been closed to the public for 80 years. Thankfully it is open once more and co-producing the Shakespearean classic. Take a look at the fascinating restoration process.
Crowns, contortion and the most neatly arranged mood wall you’re ever likely to see – take a look into rehearsals for Richard III, then book your tickets to see it as it comes to the newly restored Alexandra Palace Theatre from 13 to 31 March 2019!
Far from a winter of discontent, March 2019 is the spring of excitement, as Alexandra Palace mounts its first ever co-production, staging Shakespeare’s Richard III with Headlong, Bristol Old Vic, Royal & Derngate Northampton and Oxford Playhouse. The history play runs in the newly restored London venue from 13 to 31 March.
Dick Whittington & His Cat shows that the age-old tradition of pantomime is not only alive in Oxford but it’s revitalised, re-energised, refreshing and stands a good chance of attracting new audiences into the theatre.
The great thing about the proud tradition of Oxford Playhouse panto is that while cannily aware of the audience’s likely cultural uplift, it has no fear of getting down and dirty with the rackety, popular and downright silly, and a firm grip on local in-jokes.
Earlier this year I headed out on tour with The Flying Lovers of Vitebsk – well, I went to every venue on the UK leg of their tour… So with this being my year of Emma Rice, I simply had to do the same thing for Wise Children.
Alan Bennett’s The Habit Of Art has returned to its meta-spiritual home this week, arriving at the Oxford Playhouse to amuse and entertain its erudite audience with in-jokes about the city’s gay scene and penises.
Lots of different things opening across the country in March. In London there are a lot of Fringe and Off West End productions coming your way.
Strains of Donna Summer and Demis Roussos on the turntable, flock wallpaper and a retro bar, can only be setting the scene for Mike Leigh’s classic piece, Abigail’s Party. Devised and directed by Mike Leigh in 1977, the television incarnation starred Alison Steadman as nightmare hostess, Beverly and is an iconic masterpiece.
Cherished by am-dram, revived by excellent casts and theatres, it tours to keen houses and gales of laughter. Yet Mike Leigh’s most famous (and not typical) play is cold-hearted, snobbish, misogynistic and dated.
Edward Fox is to star in a new play, Sand in the Sandwiches by Hugh Whitemore, which celebrates the life and work of John Betjeman. Directed by Gareth Armstrong, the production will premiere at Oxford Playhouse on 25 October 2016 followed by a UK tour.